The exhibition devoted to the Italian Modernist painter Giorgio Morandi (1890-1964), on display at Paul Thiebaud Gallery, doesn’t contain much: six paintings and two drawings.
It’s appropriate, in a way. Morandi spent his maturity painting not much: boxes and bottles, a landscape here and there, few things in abundance. Even so, is a less-is-more Read More
The exhibition devoted to the Italian Modernist painter Giorgio Morandi (1890-1964), on display at Paul Thiebaud Gallery, doesn’t contain much: six paintings and two drawings.
It’s appropriate, in a way. Morandi spent his maturity painting not much: boxes and bottles, a landscape here and there, few things in abundance. Even so, is a less-is-more curatorial Read More
What standing does the landscape painter George Inness (1825-1894) have in the history of American art? As a student, I remember Inness occupying a marginal nook, his place obscured by the homegrown transcendentalism of the Hudson River School and by Thomas Eakins, Winslow Homer and Albert Pinkham Ryder, the holy trinity of 19th-century American painting. Read More
What standing does the landscape Give a Painter His Due:
Inness Deserves Top Honorspainter George Inness (1825-1894) have in the history of American art? As a student, I remember Inness occupying a marginal nook, his place obscured by the homegrown transcendentalism of the Hudson River School and by Thomas Eakins, Winslow Homer and Albert Pinkham Read More
