Art

Peter Halley, Up & Down.

Peter Halley’s New Gallery in Germany

Geometry is destiny, at least in the work of Peter Halley, whose Day-Glo prisons, cells and conduits have been familiar icons since the mid-’80s. Mr. Halley has proved to be reliably consistent, from his choice of acid-hued paints to his use of Roll-A-Tex, a gritty product that lends his work an architectural edge. At first glance, the artist’s airy studio at 526 West 26th Street, filled with rows of colorful paint containers surrounded by canvases in various stages (and dominated by a huge classical cast of Poseidon that Mr. Halley acquired from the Athens Museum), could be a day-care center for child prodigies. But Mr. Halley, 57, who recently stepped down as director of Graduate Studies in Painting at Yale, has an enviably stable midlife career. Read More

Observatory

The Mystery of Rosa Luxemburg’s Corpse

Of all the famous Marxist leaders, only Marx himself was afforded both a natural death and a dignified burial. His grave is in Highgate Cemetery in London, most of which is a creepy overgrown ruin of toppled marble angels and Gothic crypts. But Marx is in a nice corner of the graveyard where they still Read More

Paul Auster, Children’s Book Author?

A funny thing happened during Granta’s B.E.A. panel on the state of American writing on Friday, when a woman from the audience asked Paul Auster whether it was his idea to turn Timbuktu, a novella he published in 1999, into a children’s book.

For a moment, Mr. Auster looked at the questioner blankly. Read More

Why We Miss Susan Sontag, Volume I

At first glance, the cover of Susan Sontag’s final book—the almost-complete manuscript she left at her death in December 2004—seems antiseptic and ultra-modern, like an architectural photograph of the Düsseldorf School. Designed by Winterhouse, a small press run by her friend William Drenttel, it features a neutral vertical gray panel beside a photograph of Sontag’s Read More

MoMA Gets Biesenbached In Euro-Curator Stampede

In Oct. 2006, the Museum of Modern Art announced the creation of a new curatorial department to handle “media.” It concerns itself with all those visual and sound installations not intended for formal, theater-style viewing, like Doug Aitken’s new façade creeper, Sleepwalkers.

The man appointed as chief curator of this department is Klaus Biesenbach, 40, Read More

Diane Keaton, I Say No!

Diane Keaton graces the screen so rarely that when she makes an appearance of any kind, attention must be paid. But it’s a sure sign of how desperate the current state of movies has become when you pack up your hope and anticipation, head for a brand-new Diane Keaton vehicle called Because I Said So, Read More