Schmattes of Matisse: Painter Was Obsessed With Textile Design

It’s odd now to recall a time when the word “decorative,” as applied to the paintings of Matisse, was a term of critical reproach. “Decorative” was then taken to signify something shallow or superficial; it also suggested the pleasures of a self-indulgent hedonism—the opposite of everything deep and profound in art. The association with pleasure, Read More

Despite Mentor Matisse, Weber Lost Early Magic

Toward the end of Hilary Spurling’s The Unknown Matisse (Knopf), the recently published first volume of what promises to be a definitive biography of Henri Matisse, there are a few passages that give us a glimpse of the American painter Max Weber, whose work is currently the subject of an interesting exhibition, Max Weber Discoveries Read More