It’s rare as a pink giraffe, but every once in a blue moon a movie comes along in which each piece fits seamlessly and every detail works. Argo is one of them. I have come to regard Ben Affleck as better, stronger and more self-assured behind a camera than he is in front of one, but in this exemplary, meticulously detailed thriller about a fake movie that saved real lives, he wears both hats magnificently. The result is a movie that defines perfection.
Gifted, intelligent and full of cogent ideas, Mr. Affleck can almost always be depended on to come up with something fascinating, coherent and thoroughly cinematic. Argo, his third feature film as a director after Gone Baby Gone (2007) and The Town (2010), is no exception. It grabbed me by the lapels and held my attention for two solid hours without a sideward glance, and I can’t wait to see it again. You have to see it twice if you want to absorb the myriad pieces of a jigsaw too fantastic to accept as fact, although we know going in that the recently declassified records of an amazing history lesson prove otherwise. This movie is not only true, but unbelievably true. Read More