Red Carpet Real Estate

Time to move on.

You Can’t Go Home Again: Homeland Star Claire Danes Ditches Soho Loft

There comes a time in every former starlet’s life when she realizes that she has outgrown her Soho loft and needs to move on. For Claire Danes, this realization apparently hit when she found out she was pregnant with her first child.

Ms. Danes, who owns a 3,851-square-foot condo at 42 Wooster Street, which she purchased as “A. Kulik” back in 1998, has sold the space for $5.85 million, reports The New York Post. Read More

movies

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The Little Engine That Could: Hysteria Stimulates the Senses

Hysteria is Jane Austen with a vibrator—a movie about the invention of the scandalous electro-mechanical device that changed women’s lives forever. Set in the Victorian era of scientific ignorance and cultural Puritanism, its style is still more Restoration comedy than Victorian decadence—postcolonial feminism with a temperament more Austen than Bronte. Nothing to snicker about here. Considering the subject, ripe with titillating possibilities, it’s surprisingly about as sexy as a week-old meat loaf. Tastefully directed by Tanya Wexler, it is a total joy from start to finish. Read More

Pride and Prejudices

The Pride opens in Philip and Sylvia’s stylish, modest flat in 1950s London. Sylvia is offstage, primping for a night out, and her husband has welcomed Oliver. Sylvia is an illustrator and Oliver is a children’s book author she has just begun working with, and she is determined to introduce her new friend to Philip, Read More

Hugh Dancy Is on His Way to Superstardom

ADAM
Running time 99 minutes
Written and directed by Max Mayer
Starring Hugh Dancy, Rose Byrne, Peter Gallagher, Amy Irving

Charm that isn’t forced and wit without contrivance are such rare ingredients in today’s so-called comedies that when I come across either, I tend to go overboard. There is plenty of both in Adam, a Read More

Stiff Upper Lips on the Western Front

R.C. Sherriff’s vintage First World War drama, Journey’s End, is both worthy and dreadful. Its dreadfulness has to do with Sherriff’s risible period style, the frightful jargon of the British upper classes at war—a game in itself, an act, a defense. But who would possibly argue with Sherriff’s worthy hymn to the decency and courage Read More