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		<title>Fall In! We Devour 2,754 Pages of September Issues</title>

		<comments>http://observer.com/2012/08/fall-in-we-devour-2754-pages-of-september-issues/#comments</comments>
		<pubDate>Wed, 15 Aug 2012 08:58:06 -0400</pubDate>
					<link>http://observer.com/2012/08/fall-in-we-devour-2754-pages-of-september-issues/</link>
			<dc:creator>Daniel D'Addario</dc:creator>
				
		<guid isPermaLink="false">http://observer.com/?p=257562</guid>
		<description><![CDATA[<p><a href="http://observer.com/2012/08/fall-in-we-devour-2754-pages-of-september-issues/miley-cyrus-marie-claire-cover/" rel="attachment wp-att-257607"><img class="alignleft size-medium wp-image-257607" title="miley-cyrus-marie-claire-cover" src="http://nyoobserver.files.wordpress.com/2012/08/miley-cyrus-marie-claire-cover.jpeg?w=210" alt="" width="210" height="300" /></a>For fashion editors, all roads lead to September: this month’s rag mags, engorged with advertisements, represent the triumph of the hypercapitalist ethos, the huge and the loud. <!--more-->No magazine, in September, strives to be the best: all strive to be most, with pages upon pages of ad content buttressing 800-word dispatches from Hollywood or London. Technically speaking, September marks the beginning of the holiday shopping season, as fashion lines launch their latest collections, and while couture shoppers are few in number, couture observers (or <strong>Katy Perry</strong> fans) can gorge themselves on newly thick magazines that finally have the page counts to show off what they believe to be their best sides.</p>
<p>Here are our picks for the very most of this month’s <em>Elle, Lucky, Glamour, InStyle, Harper’s Bazaar </em>and<em> Marie Claire</em>. (<em>Vogue</em>, as usual, will arrive fashionably late.)</p>
<p><strong>Best Cover:</strong> A purple-hair-era Katy Perry on <em>Elle</em> takes the prize, if only for the very au courant nail art. (She still manages to squeeze her “Jesus” tattoo into the shot, though.) Given that the culture at large spends September shaking sand out of its beach tote, very few of this month’s cover stars—<strong>Jennifer Lopez</strong>, <em>InStyle</em>? Still?—have an imminent project to promote. (And <strong>Victoria Beckham</strong>, in a bubble bath on Glamour, isn’t even wearing clothes.)</p>
<p><strong>Most Nostalgic:</strong> <em>Harper’s Bazaar</em>, in a cover line, advises readers to “Think Pink!”—a line from <em>Funny Face</em>, the movie based on Diana Vreeland and Richard Avedon’s time at <em>Bazaar</em>. (Cover girl <strong>Gwen Stefani</strong>, you’re great, but you’re no Audrey Hepburn.) Ms. Vreeland’s time at the magazine is elucidated in a piece that uses the word “Vogue” zero times. (Some anti-<em>Vogue</em> rancor is discernible at <strong>Glenda Bailey</strong>’s magazine: Another former <em>Vogue</em>tte, ousted French editrix <strong>Carine Roitfeld</strong>, gets a glowing profile in <em>Bazaar</em>.)</p>
<p><strong>Best Editor’s Letter, Lede Division:</strong> “<strong>Naomi Wolf</strong> wants you to feel good. Really good,” writes <strong>Roberta Myers</strong> in <em>Elle</em>. (The feminist firebrand is profiled there and has a piece in <em>Bazaar</em> on dating.)</p>
<p><strong><span class="Apple-style-span" style="font-weight:normal;"><img class="alignleft" style="cursor:-webkit-zoom-in;" src="http://i.huffpost.com/gen/729663/thumbs/o-JENNIFER-LOPEZ-INSTYLE-SEPTEMBER-2012-570.jpg?6" alt="" width="197" height="256" /></span>Best Editor’s Letter, Unintentional Revelations Division: Joanna Coles</strong> describes regretfully turning down her dream job as a journalist covering Parliament in the <em>Marie Claire</em> supplement <em>@Work</em>, which features <strong>Chelsea Handler</strong> on the cover.</p>
<p><strong>Most Unlikely Suggestion:</strong> In her capacity as <em>Glamour</em> guest editor, Ms. Beckham writes that she suggested some future cover subjects from the indie-film universe: “<strong>Chloe Moretz</strong>, <strong>Clémence Poésy</strong>, <strong>Bella Heathcote</strong> ...” Maybe if <strong>Jessica Simpson</strong> falls ill!</p>
<p><strong>Least Fortuitous Timing, Celebrity Division: Kristen Stewart</strong>, interviewed pre-cheating-scandal by <em>InStyle</em>. On Cartier’s Juste un Clou bracelet: “It reminds me of the person who gave it to me.” She wanted, and likely still wants, to go on a “very secluded” Mexican vacation.</p>
<p><strong>Least Fortuitous Timing, Cinema Division:</strong> Both <em>Elle </em>and<em> InStyle</em> feature sneak peeks at what would have been this winter’s biggest movie, <em>The Great Gatsby</em>. After the magazines went to press, Gatsby was delayed until summer 2013.</p>
<p><strong>Best Logroll:</strong> <em>Marie Claire</em>’s nine-page package on <em>Project Runway</em>, a show that features the magazine’s fashion director Nina Garcia. Before suggesting <em>Runway</em>-inflected trips to Parsons and Burger Joint, the author notes, “<em>Sex and the City</em> isn’t the only show that boasts the Big Apple as a main character.” <em>Sure isn’t!</em></p>
<p><strong>Best Advertising Opportunity: Justin Bieber</strong>’s perfume sponsored some of <em>Lucky</em>’s stickers (used to point out must-buy items—like Pinterest, but monthly!), as did uplifting toiletry brand Dove. Thanks to the good folks at Unilever, you can label <strong>Eva Longoria</strong>’s shorts “brave,” “graceful” or “STRENGTH.” [<em>sic</em>.]</p>
<p><strong>Best Homage to Something Else Popular:</strong> <em>Glamour</em> informs us: “Hey, it’s okay ... to own 50 shades of gray ... cashmere sweaters.” Meanwhile, <em>Elle</em> titles its Katy Perry profile “Girl on Fire,” a reference to <em>The Hunger Games</em>, while <strong>Miley Cyrus</strong> is now getting magazine cover profiles solely in her capacity as <strong>Liam Hemsworth</strong>’s fiancée, also a nod to <em>The Hunger Games</em>. (<strong>Jennifer Lawrence</strong> clearly wasn’t available.)</p>
<p><strong><span class="Apple-style-span" style="font-weight:normal;"><img class="alignleft" style="padding-right:8px;padding-top:8px;padding-bottom:8px;" src="http://i3.mirror.co.uk/incoming/article1201091.ece/ALTERNATES/s615b/ONE+USE+ONLY+-+Victoria+Beckham+photographed+by+Lindsey+Unterberger+for+Glamour" alt="" width="188" height="264" /></span>Most Ubiquitous:</strong> Who knew <strong>Lana Del Rey</strong> was such a trendsetter? She gets a full-page spread, “Let’s All Look Like Lana!,” in <em>Glamour</em> (looking like Lana means having long hair) and is cited as a nail-care icon in <em>Elle</em>. Meanwhile, <strong>Solange Knowles</strong>, noted sister of<strong> Beyoncé</strong>, gets a photo shoot of her house in <em>Elle</em> and a two-page spread on her style evolution in <em>Glamour</em>.</p>
<p><strong>Biggest Vitamin-Related Exclusive:</strong> “I wake up at 7 a.m., I shower, shave, eat breakfast, and have a double espresso, a cigarette, vitamins,” <strong>Marc Jacobs</strong> tells <em>Marie Claire</em>. “I wake up, have a double espresso and a cigarette, then I shower,” Mr. Jacobs tells <em>Glamour</em>.</p>
<p><strong>Biggest Web-to-Print Leap: </strong>Fashion blogger<strong> Bryanboy</strong>, citing <strong>Carly Rae Jepsen</strong> in <em>Glamour</em>, a magazine that elsewhere features the “Shit Girls Say” video stars and the “Man Repeller” blogger.</p>
<p><strong>Biggest Print-to-Web Synergy:</strong> <em>InStyle</em> has enlisted <strong>Katie Couric </strong>and<strong> Tommy Hilfiger</strong> as celebrity “Pinners” for their Pinterest pages; Mr. Hilfiger notes he is inspired by “classic autumnal colors.”</p>
<p><strong>Biggest Print-to-Book-to-Print Leap:</strong> <strong>Elizabeth Wurtzel</strong>, for <em>Harper’s Bazaar</em>: “I want everyone to try as hard as I do to please be gorgeous, because it’s not that hard, girls. Looking great is a matter of feminism.”</p>
<p><strong>Most Horrifying, Unsurprising Revelation:</strong> <em>Lucky</em>’s oral history of Guess reveals that <strong>Paris Hilton</strong> keeps a blow-up of her early-2000s jeans ad next to her bed.</p>
<p><strong>Most Compelling Subhed:</strong> “Guest editor Victoria Beckham’s dear friend and go-to hair guy, <strong>Ken Paves</strong>, is on a mission to help at-risk women. Love that.”</p>
<p><strong>Best Use of Profile-Speak:</strong> Miley Cyrus, per <em>Marie Claire</em>, is “a 19-year-old firecracker with washboard abs, a smoky laugh, and a filthy mouth.” Elsewhere her voice is described as “tangy and redolent of her native Nashville.”</p>
<p><strong>Most Disconnected From Readers’ Reality:</strong> “Everyone I know with taste gets plates from Heath Ceramics,” says <strong>Jessica de Ruiter</strong>, stylist, in <em>Lucky</em>. “They use them at Axe.” (It’s pronounced “a-shay.”)</p>
<p><strong>Biggest Indications Fashion Magazine Readers Aren’t In It For the Fashion:</strong> When asked, an <em>Elle</em> reader notes her biggest wish is not the Bottega Veneta dress Ms. Perry wears on the cover but “my mother’s love and my father’s approval”; a <em>Glamour</em> reader poll yields favorite designers including “anything <strong>Jennifer Aniston</strong> wears” and Old Navy.</p>
]]></description>
		<content:encoded><![CDATA[<p><a href="http://observer.com/2012/08/fall-in-we-devour-2754-pages-of-september-issues/miley-cyrus-marie-claire-cover/" rel="attachment wp-att-257607"><img class="alignleft size-medium wp-image-257607" title="miley-cyrus-marie-claire-cover" src="http://nyoobserver.files.wordpress.com/2012/08/miley-cyrus-marie-claire-cover.jpeg?w=210" alt="" width="210" height="300" /></a>For fashion editors, all roads lead to September: this month’s rag mags, engorged with advertisements, represent the triumph of the hypercapitalist ethos, the huge and the loud. <!--more-->No magazine, in September, strives to be the best: all strive to be most, with pages upon pages of ad content buttressing 800-word dispatches from Hollywood or London. Technically speaking, September marks the beginning of the holiday shopping season, as fashion lines launch their latest collections, and while couture shoppers are few in number, couture observers (or <strong>Katy Perry</strong> fans) can gorge themselves on newly thick magazines that finally have the page counts to show off what they believe to be their best sides.</p>
<p>Here are our picks for the very most of this month’s <em>Elle, Lucky, Glamour, InStyle, Harper’s Bazaar </em>and<em> Marie Claire</em>. (<em>Vogue</em>, as usual, will arrive fashionably late.)</p>
<p><strong>Best Cover:</strong> A purple-hair-era Katy Perry on <em>Elle</em> takes the prize, if only for the very au courant nail art. (She still manages to squeeze her “Jesus” tattoo into the shot, though.) Given that the culture at large spends September shaking sand out of its beach tote, very few of this month’s cover stars—<strong>Jennifer Lopez</strong>, <em>InStyle</em>? Still?—have an imminent project to promote. (And <strong>Victoria Beckham</strong>, in a bubble bath on Glamour, isn’t even wearing clothes.)</p>
<p><strong>Most Nostalgic:</strong> <em>Harper’s Bazaar</em>, in a cover line, advises readers to “Think Pink!”—a line from <em>Funny Face</em>, the movie based on Diana Vreeland and Richard Avedon’s time at <em>Bazaar</em>. (Cover girl <strong>Gwen Stefani</strong>, you’re great, but you’re no Audrey Hepburn.) Ms. Vreeland’s time at the magazine is elucidated in a piece that uses the word “Vogue” zero times. (Some anti-<em>Vogue</em> rancor is discernible at <strong>Glenda Bailey</strong>’s magazine: Another former <em>Vogue</em>tte, ousted French editrix <strong>Carine Roitfeld</strong>, gets a glowing profile in <em>Bazaar</em>.)</p>
<p><strong>Best Editor’s Letter, Lede Division:</strong> “<strong>Naomi Wolf</strong> wants you to feel good. Really good,” writes <strong>Roberta Myers</strong> in <em>Elle</em>. (The feminist firebrand is profiled there and has a piece in <em>Bazaar</em> on dating.)</p>
<p><strong><span class="Apple-style-span" style="font-weight:normal;"><img class="alignleft" style="cursor:-webkit-zoom-in;" src="http://i.huffpost.com/gen/729663/thumbs/o-JENNIFER-LOPEZ-INSTYLE-SEPTEMBER-2012-570.jpg?6" alt="" width="197" height="256" /></span>Best Editor’s Letter, Unintentional Revelations Division: Joanna Coles</strong> describes regretfully turning down her dream job as a journalist covering Parliament in the <em>Marie Claire</em> supplement <em>@Work</em>, which features <strong>Chelsea Handler</strong> on the cover.</p>
<p><strong>Most Unlikely Suggestion:</strong> In her capacity as <em>Glamour</em> guest editor, Ms. Beckham writes that she suggested some future cover subjects from the indie-film universe: “<strong>Chloe Moretz</strong>, <strong>Clémence Poésy</strong>, <strong>Bella Heathcote</strong> ...” Maybe if <strong>Jessica Simpson</strong> falls ill!</p>
<p><strong>Least Fortuitous Timing, Celebrity Division: Kristen Stewart</strong>, interviewed pre-cheating-scandal by <em>InStyle</em>. On Cartier’s Juste un Clou bracelet: “It reminds me of the person who gave it to me.” She wanted, and likely still wants, to go on a “very secluded” Mexican vacation.</p>
<p><strong>Least Fortuitous Timing, Cinema Division:</strong> Both <em>Elle </em>and<em> InStyle</em> feature sneak peeks at what would have been this winter’s biggest movie, <em>The Great Gatsby</em>. After the magazines went to press, Gatsby was delayed until summer 2013.</p>
<p><strong>Best Logroll:</strong> <em>Marie Claire</em>’s nine-page package on <em>Project Runway</em>, a show that features the magazine’s fashion director Nina Garcia. Before suggesting <em>Runway</em>-inflected trips to Parsons and Burger Joint, the author notes, “<em>Sex and the City</em> isn’t the only show that boasts the Big Apple as a main character.” <em>Sure isn’t!</em></p>
<p><strong>Best Advertising Opportunity: Justin Bieber</strong>’s perfume sponsored some of <em>Lucky</em>’s stickers (used to point out must-buy items—like Pinterest, but monthly!), as did uplifting toiletry brand Dove. Thanks to the good folks at Unilever, you can label <strong>Eva Longoria</strong>’s shorts “brave,” “graceful” or “STRENGTH.” [<em>sic</em>.]</p>
<p><strong>Best Homage to Something Else Popular:</strong> <em>Glamour</em> informs us: “Hey, it’s okay ... to own 50 shades of gray ... cashmere sweaters.” Meanwhile, <em>Elle</em> titles its Katy Perry profile “Girl on Fire,” a reference to <em>The Hunger Games</em>, while <strong>Miley Cyrus</strong> is now getting magazine cover profiles solely in her capacity as <strong>Liam Hemsworth</strong>’s fiancée, also a nod to <em>The Hunger Games</em>. (<strong>Jennifer Lawrence</strong> clearly wasn’t available.)</p>
<p><strong><span class="Apple-style-span" style="font-weight:normal;"><img class="alignleft" style="padding-right:8px;padding-top:8px;padding-bottom:8px;" src="http://i3.mirror.co.uk/incoming/article1201091.ece/ALTERNATES/s615b/ONE+USE+ONLY+-+Victoria+Beckham+photographed+by+Lindsey+Unterberger+for+Glamour" alt="" width="188" height="264" /></span>Most Ubiquitous:</strong> Who knew <strong>Lana Del Rey</strong> was such a trendsetter? She gets a full-page spread, “Let’s All Look Like Lana!,” in <em>Glamour</em> (looking like Lana means having long hair) and is cited as a nail-care icon in <em>Elle</em>. Meanwhile, <strong>Solange Knowles</strong>, noted sister of<strong> Beyoncé</strong>, gets a photo shoot of her house in <em>Elle</em> and a two-page spread on her style evolution in <em>Glamour</em>.</p>
<p><strong>Biggest Vitamin-Related Exclusive:</strong> “I wake up at 7 a.m., I shower, shave, eat breakfast, and have a double espresso, a cigarette, vitamins,” <strong>Marc Jacobs</strong> tells <em>Marie Claire</em>. “I wake up, have a double espresso and a cigarette, then I shower,” Mr. Jacobs tells <em>Glamour</em>.</p>
<p><strong>Biggest Web-to-Print Leap: </strong>Fashion blogger<strong> Bryanboy</strong>, citing <strong>Carly Rae Jepsen</strong> in <em>Glamour</em>, a magazine that elsewhere features the “Shit Girls Say” video stars and the “Man Repeller” blogger.</p>
<p><strong>Biggest Print-to-Web Synergy:</strong> <em>InStyle</em> has enlisted <strong>Katie Couric </strong>and<strong> Tommy Hilfiger</strong> as celebrity “Pinners” for their Pinterest pages; Mr. Hilfiger notes he is inspired by “classic autumnal colors.”</p>
<p><strong>Biggest Print-to-Book-to-Print Leap:</strong> <strong>Elizabeth Wurtzel</strong>, for <em>Harper’s Bazaar</em>: “I want everyone to try as hard as I do to please be gorgeous, because it’s not that hard, girls. Looking great is a matter of feminism.”</p>
<p><strong>Most Horrifying, Unsurprising Revelation:</strong> <em>Lucky</em>’s oral history of Guess reveals that <strong>Paris Hilton</strong> keeps a blow-up of her early-2000s jeans ad next to her bed.</p>
<p><strong>Most Compelling Subhed:</strong> “Guest editor Victoria Beckham’s dear friend and go-to hair guy, <strong>Ken Paves</strong>, is on a mission to help at-risk women. Love that.”</p>
<p><strong>Best Use of Profile-Speak:</strong> Miley Cyrus, per <em>Marie Claire</em>, is “a 19-year-old firecracker with washboard abs, a smoky laugh, and a filthy mouth.” Elsewhere her voice is described as “tangy and redolent of her native Nashville.”</p>
<p><strong>Most Disconnected From Readers’ Reality:</strong> “Everyone I know with taste gets plates from Heath Ceramics,” says <strong>Jessica de Ruiter</strong>, stylist, in <em>Lucky</em>. “They use them at Axe.” (It’s pronounced “a-shay.”)</p>
<p><strong>Biggest Indications Fashion Magazine Readers Aren’t In It For the Fashion:</strong> When asked, an <em>Elle</em> reader notes her biggest wish is not the Bottega Veneta dress Ms. Perry wears on the cover but “my mother’s love and my father’s approval”; a <em>Glamour</em> reader poll yields favorite designers including “anything <strong>Jennifer Aniston</strong> wears” and Old Navy.</p>
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		<title>An InStyle-ish Apartment: Connie Anne Phillips Buys Gino&#8217;s Old Home</title>

		<comments>http://observer.com/2011/02/an-iinstyleiish-apartment-connie-anne-phillips-buys-ginos-old-home/#comments</comments>
		<pubDate>Wed, 09 Feb 2011 18:42:10 -0400</pubDate>
					<link>http://observer.com/2011/02/an-iinstyleiish-apartment-connie-anne-phillips-buys-ginos-old-home/</link>
			<dc:creator>Matt Chaban</dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/2011/02/an-iinstyleiish-apartment-connie-anne-phillips-buys-ginos-old-home/</guid>
		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/connie_anne_phillips.jpg?w=300&h=229" />Two years ago, <strong>Connie Anne Phillips</strong> <a href="/2009/media/lipstick-wars-fashion-mags-fur-flies-under-florio">left <em>Vogue</em></a>, where she had been Tom Florio's No. 2 for years, to helm rival glossy <em>InStyle</em>. Now, she has found a suitably stylish home to call all her own, as well.</p>
<p>Ms. Phillips paid <strong>$1.6 million</strong> for the one-bedroom, two-bathroom co-op near the top of <strong>180 East 79th Street</strong>. The seller was the estate of <strong>Piera Circiello</strong>. She died in the fall of 2009, and was the wife of famed Upper East Side restaurateur Gino Circiello, whose eponymous restaurant was located 18 blocks south at 780 Lexington Avenue. In <a href="http://www.nytimes.com/2001/12/05/nyregion/gino-a-circiello-restaurateur-is-dead-at-89.html">Gino Circiello's obituary</a> from December 2001, <em>The Times</em> described the eatery thusly:</p>
<blockquote><p>[Gino] epitomized the New York of the time when men still wore hats and a plate of spaghetti went for 95 cents. It was where Ed Sullivan ordered the same chicken dish every day and then spread out his papers on a table to work through the afternoon. Each Mother's Day, Frank Sinatra brought a dozen people to the big table in the back. Manicurists, opera stars and the odd mobster added spice to the sauce.</p>
</blockquote>
<p>The 1930 red-brick-and-limestone building went co-op in 1965, according to Carter Horseley's City Realty, where he also notes, "The building has an impressive and large lobby decorated in an Oriental style with a doorman and a concierge."</p>
<p><a href="/2011/real-estate/slideshow/connie-anne-phillips-instylish-new-home"><em><strong>SLIDESHOW: Connie Anne Phillips' Saucy New Spread &gt;&gt;</strong></em></a></p>
<p>Entering Ms. Phillips' new 18th-floor "unique pre-war residence," as <strong>Sotheby's </strong>brokers<strong> Pierrette Hogan </strong>and <strong>Cheryl Daly</strong> put it in their listing, visitors are greeted by a set of exquisitely detailed and connected living spaces. A gallery steps down into a sunken 22-foot-long living room with a fireplace and then back up into the dining room on the left. Those rooms, along with the pantry and kitchen--with top-of-the-line appliances befitting any restaurant--have been painted the red of just-ripe Roma tomatoes. A staff room adjoins the pantry and dining room, leaving ample opportunity to create a two-bedroom. There are carved ceiling &nbsp;beams and crown molding throughout the home.</p>
<p>These sorts of architectural details should suit Ms. Phillips very well. After all, she told Daily Front Row last September that <a href="http://www.dailyfrontrow.com/the-fix/article/out-of-vogue-but-still-instyle">the thing she missed most</a> about working at Conde Nast was Frank Gehry's famous cafeteria in 4 Times Square.</p>
<p><em><a href="/tag/manhattan-transfers">Read past Manhattan Transfers here. &gt;&gt;</a></em></p>
<p><strong><a href="mailto:mchaban@observer.com">mchaban [at] observer.com</a> </strong>|<strong> <a href="http://twitter.com/MC_NYO">@mc_nyo</a></strong></p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/connie_anne_phillips.jpg?w=300&h=229" />Two years ago, <strong>Connie Anne Phillips</strong> <a href="/2009/media/lipstick-wars-fashion-mags-fur-flies-under-florio">left <em>Vogue</em></a>, where she had been Tom Florio's No. 2 for years, to helm rival glossy <em>InStyle</em>. Now, she has found a suitably stylish home to call all her own, as well.</p>
<p>Ms. Phillips paid <strong>$1.6 million</strong> for the one-bedroom, two-bathroom co-op near the top of <strong>180 East 79th Street</strong>. The seller was the estate of <strong>Piera Circiello</strong>. She died in the fall of 2009, and was the wife of famed Upper East Side restaurateur Gino Circiello, whose eponymous restaurant was located 18 blocks south at 780 Lexington Avenue. In <a href="http://www.nytimes.com/2001/12/05/nyregion/gino-a-circiello-restaurateur-is-dead-at-89.html">Gino Circiello's obituary</a> from December 2001, <em>The Times</em> described the eatery thusly:</p>
<blockquote><p>[Gino] epitomized the New York of the time when men still wore hats and a plate of spaghetti went for 95 cents. It was where Ed Sullivan ordered the same chicken dish every day and then spread out his papers on a table to work through the afternoon. Each Mother's Day, Frank Sinatra brought a dozen people to the big table in the back. Manicurists, opera stars and the odd mobster added spice to the sauce.</p>
</blockquote>
<p>The 1930 red-brick-and-limestone building went co-op in 1965, according to Carter Horseley's City Realty, where he also notes, "The building has an impressive and large lobby decorated in an Oriental style with a doorman and a concierge."</p>
<p><a href="/2011/real-estate/slideshow/connie-anne-phillips-instylish-new-home"><em><strong>SLIDESHOW: Connie Anne Phillips' Saucy New Spread &gt;&gt;</strong></em></a></p>
<p>Entering Ms. Phillips' new 18th-floor "unique pre-war residence," as <strong>Sotheby's </strong>brokers<strong> Pierrette Hogan </strong>and <strong>Cheryl Daly</strong> put it in their listing, visitors are greeted by a set of exquisitely detailed and connected living spaces. A gallery steps down into a sunken 22-foot-long living room with a fireplace and then back up into the dining room on the left. Those rooms, along with the pantry and kitchen--with top-of-the-line appliances befitting any restaurant--have been painted the red of just-ripe Roma tomatoes. A staff room adjoins the pantry and dining room, leaving ample opportunity to create a two-bedroom. There are carved ceiling &nbsp;beams and crown molding throughout the home.</p>
<p>These sorts of architectural details should suit Ms. Phillips very well. After all, she told Daily Front Row last September that <a href="http://www.dailyfrontrow.com/the-fix/article/out-of-vogue-but-still-instyle">the thing she missed most</a> about working at Conde Nast was Frank Gehry's famous cafeteria in 4 Times Square.</p>
<p><em><a href="/tag/manhattan-transfers">Read past Manhattan Transfers here. &gt;&gt;</a></em></p>
<p><strong><a href="mailto:mchaban@observer.com">mchaban [at] observer.com</a> </strong>|<strong> <a href="http://twitter.com/MC_NYO">@mc_nyo</a></strong></p>
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		<title>Squeals, Buzz and Barcodes as Magazine Types Gather for Technology Show and Tell</title>

		<comments>http://observer.com/2010/06/squeals-buzz-and-barcodes-as-magazine-types-gather-for-technology-show-and-tell/#comments</comments>
		<pubDate>Thu, 17 Jun 2010 22:03:21 -0400</pubDate>
					<link>http://observer.com/2010/06/squeals-buzz-and-barcodes-as-magazine-types-gather-for-technology-show-and-tell/</link>
			<dc:creator>Zeke Turner</dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/2010/06/squeals-buzz-and-barcodes-as-magazine-types-gather-for-technology-show-and-tell/</guid>
		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/0617jobs.jpg?w=205&h=300" />
<div class="ii gt">
<p class="MsoNormal">Adobe senior business development manager Gary Cossimini had 35 minutes  yesterday to show off his company&rsquo;s <em>New York Times</em> reader at the Magazine  Publishers of America technology conference, &ldquo;The Technology of Magazine Content:  From Augmented Reality to Tablets.&rdquo;</p>
<p class="MsoNormal">The room was peppered with representatives from magazines, media companies  and ad agencies. Some sat in white folding chairs around tables near the stage.  Others huddled in small groups next to exhibition tables covered in iPads and  strange tablets at the back of the conference room on West 18th Street.</p>
<p class="MsoNormal">The crowd had convened to see the latest trends in digital publishing  technology. Mr. Cossimini was talking fast.</p>
<p class="MsoNormal">&ldquo;It has interactive features, basically, that are designed to engage readers through common types of interaction,&rdquo; he said, standing on stage. &ldquo;It&rsquo;s going to blossom a  lot of new opportunities for advertisers.&rdquo;</p>
<p class="MsoNormal">Mr. Cossimini was repeating the keywords of the day:  interactive&hellip;features&hellip;engagement&hellip;advertisers.</p>
<p class="MsoNormal">Images of BMW 3-Series advertisements flashed on a screen behind him. Mr.  Cossimini repeatedly returned to the phrase &ldquo;geography of the mind&rdquo; to describe the  experience of reading a magazine or newspaper.</p>
<p class="MsoNormal">&ldquo;I need a drink,&rdquo; said a man sitting near the front, shaking his head. He  was a production manager at a small publishing company.</p>
<p class="MsoNormal">Nearby the photo director of <em>National Geographic</em> finished up an email on  his iPad and pulled out a pen and notebook to jot a few notes about Mr.  Cossimini&rsquo;s remarks. He watched. He listened. He pulled out his iPad again and read  an article in the <em>Harvard Business Review</em>.</p>
<p class="MsoNormal">Earlier in the day, there was a panel on &ldquo;augmented reality&rdquo; technology, which involves holding a magazine up to a computer webcam.</p>
<p class="MsoNormal">&ldquo;I don&rsquo;t know if any of you know the U.S. president of Burberry &mdash; I don&rsquo;t  think she&rsquo;s known as a squealer &mdash;&nbsp;but when she saw the technology, she  actually squealed,&rdquo; said Paul Robertson, who runs integrated marketing at <em>InStyle</em>.</p>
<p class="MsoNormal">Mr. Robertson explained the purpose of augmented reality.</p>
<p class="MsoNormal">&ldquo;The idea is engaging, entertaining people &mdash; which <em>InStyle</em> is known for editorially &mdash; and then driving them to point of purchase,&rdquo; he said.</p>
<p class="MsoNormal">Mr. Robertson said that <em>InStyle</em>&rsquo;s marketing department introduced the  use of augmented reality at the magazine.</p>
<p class="MsoNormal">&ldquo;In an unusual turn of events, our editors followed suit,&rdquo; he said.  &ldquo;Typically we follow the editors in terms of things that we do and create. They were  so taken by this technology and by the Tinkerbell effect that they made the  December cover come to life with Taylor Swift.&rdquo;</p>
<p class="MsoNormal">Elsewhere, <em>Esquire</em> features editor Richard Dorment was taking a more low-key  approach. &ldquo;We&rsquo;re not making anyone do anything,&rdquo; he told <em>The Observer</em>. &ldquo;We&rsquo;re just  giving them the option.&rdquo;&nbsp;</p>
<p class="MsoNormal">Mr. Dorment spoke on a panel about something called QR code with David  Edwards, a director at the digital ad agency R/GA.</p>
<p class="MsoNormal">QR code involves &ldquo;two-dimensional barcodes&rdquo; that readers can scan out of a  magazine with their cell phones. Japanese magazines have been doing this  for over a decade apparently. The idea is that if a reader sees a pair of khakis that he  likes in a magazine, for example, he can scan the code and begin shopping for them on his phone.</p>
<p class="MsoNormal"><em>The Observer</em> asked Mr. Dorment what QR stood for.</p>
<p class="MsoNormal">&ldquo;No idea,&rdquo; he said.</p>
<p class="MsoNormal">We wanted to know if it was hard to design a magazine around a bunch of  barcodes.</p>
<p class="MsoNormal">&ldquo;Design people never gripe!&rdquo; said Mr. Dorment, smiling. &ldquo;They&rsquo;re always pleased to do  whatever.&rdquo;</p>
<p class="MsoNormal">Design man Scott Dadich, the creative director of <em>Wired</em>, spoke on the  last panel of the day. <a href="/2010/media/cindi-leive-glamour-ipad-app">This month</a> his magazine&rsquo;s first iPad edition beat the  print edition&rsquo;s average newsstand sales.</p>
<p class="MsoNormal">&ldquo;The greatest lesson I think that we&rsquo;ve learned over at Cond&eacute; Nast is the  power of design in this process,&rdquo; Mr. Dadich said on stage.</p>
<p class="MsoNormal">He showed off different fonts that the magazine was using for its iPad  edition and talked about &ldquo;design fidelity.&rdquo;</p>
<p class="MsoNormal">After the panel, <em>The Observer</em> asked Mr. Dadich if he was worried about  advertising and editorial commingling.</p>
<p class="MsoNormal">&ldquo;I think because it&rsquo;s such an early time frame that there is going to be a  natural back and forth, that we&rsquo;re going to spur each other on, the ad side and  the edit side,&rdquo; Mr. Dadich said. &ldquo;There is still a clear distinction between  church and state, there is no pay to play, and it&rsquo;s entirely a separate  organization as it is in print.&rdquo;</p>
<p class="MsoNormal">Mr. Dadich seemed very confident about all of this. Was he scared to be  designing magazines in largely uncharted territory?</p>
<p class="MsoNormal">&nbsp;&ldquo;A little bit,&rdquo; he said. &ldquo;But as David said today, there aren&rsquo;t rules yet.  We&rsquo;re trying to fail quickly and pick ourselves up and learn from our mistakes  and, as quickly as possible, get a product that our readers are in love with  and that we enjoy making and that our advertising partners feel is helpful  to them as well.&rdquo;</p>
</div>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/0617jobs.jpg?w=205&h=300" />
<div class="ii gt">
<p class="MsoNormal">Adobe senior business development manager Gary Cossimini had 35 minutes  yesterday to show off his company&rsquo;s <em>New York Times</em> reader at the Magazine  Publishers of America technology conference, &ldquo;The Technology of Magazine Content:  From Augmented Reality to Tablets.&rdquo;</p>
<p class="MsoNormal">The room was peppered with representatives from magazines, media companies  and ad agencies. Some sat in white folding chairs around tables near the stage.  Others huddled in small groups next to exhibition tables covered in iPads and  strange tablets at the back of the conference room on West 18th Street.</p>
<p class="MsoNormal">The crowd had convened to see the latest trends in digital publishing  technology. Mr. Cossimini was talking fast.</p>
<p class="MsoNormal">&ldquo;It has interactive features, basically, that are designed to engage readers through common types of interaction,&rdquo; he said, standing on stage. &ldquo;It&rsquo;s going to blossom a  lot of new opportunities for advertisers.&rdquo;</p>
<p class="MsoNormal">Mr. Cossimini was repeating the keywords of the day:  interactive&hellip;features&hellip;engagement&hellip;advertisers.</p>
<p class="MsoNormal">Images of BMW 3-Series advertisements flashed on a screen behind him. Mr.  Cossimini repeatedly returned to the phrase &ldquo;geography of the mind&rdquo; to describe the  experience of reading a magazine or newspaper.</p>
<p class="MsoNormal">&ldquo;I need a drink,&rdquo; said a man sitting near the front, shaking his head. He  was a production manager at a small publishing company.</p>
<p class="MsoNormal">Nearby the photo director of <em>National Geographic</em> finished up an email on  his iPad and pulled out a pen and notebook to jot a few notes about Mr.  Cossimini&rsquo;s remarks. He watched. He listened. He pulled out his iPad again and read  an article in the <em>Harvard Business Review</em>.</p>
<p class="MsoNormal">Earlier in the day, there was a panel on &ldquo;augmented reality&rdquo; technology, which involves holding a magazine up to a computer webcam.</p>
<p class="MsoNormal">&ldquo;I don&rsquo;t know if any of you know the U.S. president of Burberry &mdash; I don&rsquo;t  think she&rsquo;s known as a squealer &mdash;&nbsp;but when she saw the technology, she  actually squealed,&rdquo; said Paul Robertson, who runs integrated marketing at <em>InStyle</em>.</p>
<p class="MsoNormal">Mr. Robertson explained the purpose of augmented reality.</p>
<p class="MsoNormal">&ldquo;The idea is engaging, entertaining people &mdash; which <em>InStyle</em> is known for editorially &mdash; and then driving them to point of purchase,&rdquo; he said.</p>
<p class="MsoNormal">Mr. Robertson said that <em>InStyle</em>&rsquo;s marketing department introduced the  use of augmented reality at the magazine.</p>
<p class="MsoNormal">&ldquo;In an unusual turn of events, our editors followed suit,&rdquo; he said.  &ldquo;Typically we follow the editors in terms of things that we do and create. They were  so taken by this technology and by the Tinkerbell effect that they made the  December cover come to life with Taylor Swift.&rdquo;</p>
<p class="MsoNormal">Elsewhere, <em>Esquire</em> features editor Richard Dorment was taking a more low-key  approach. &ldquo;We&rsquo;re not making anyone do anything,&rdquo; he told <em>The Observer</em>. &ldquo;We&rsquo;re just  giving them the option.&rdquo;&nbsp;</p>
<p class="MsoNormal">Mr. Dorment spoke on a panel about something called QR code with David  Edwards, a director at the digital ad agency R/GA.</p>
<p class="MsoNormal">QR code involves &ldquo;two-dimensional barcodes&rdquo; that readers can scan out of a  magazine with their cell phones. Japanese magazines have been doing this  for over a decade apparently. The idea is that if a reader sees a pair of khakis that he  likes in a magazine, for example, he can scan the code and begin shopping for them on his phone.</p>
<p class="MsoNormal"><em>The Observer</em> asked Mr. Dorment what QR stood for.</p>
<p class="MsoNormal">&ldquo;No idea,&rdquo; he said.</p>
<p class="MsoNormal">We wanted to know if it was hard to design a magazine around a bunch of  barcodes.</p>
<p class="MsoNormal">&ldquo;Design people never gripe!&rdquo; said Mr. Dorment, smiling. &ldquo;They&rsquo;re always pleased to do  whatever.&rdquo;</p>
<p class="MsoNormal">Design man Scott Dadich, the creative director of <em>Wired</em>, spoke on the  last panel of the day. <a href="/2010/media/cindi-leive-glamour-ipad-app">This month</a> his magazine&rsquo;s first iPad edition beat the  print edition&rsquo;s average newsstand sales.</p>
<p class="MsoNormal">&ldquo;The greatest lesson I think that we&rsquo;ve learned over at Cond&eacute; Nast is the  power of design in this process,&rdquo; Mr. Dadich said on stage.</p>
<p class="MsoNormal">He showed off different fonts that the magazine was using for its iPad  edition and talked about &ldquo;design fidelity.&rdquo;</p>
<p class="MsoNormal">After the panel, <em>The Observer</em> asked Mr. Dadich if he was worried about  advertising and editorial commingling.</p>
<p class="MsoNormal">&ldquo;I think because it&rsquo;s such an early time frame that there is going to be a  natural back and forth, that we&rsquo;re going to spur each other on, the ad side and  the edit side,&rdquo; Mr. Dadich said. &ldquo;There is still a clear distinction between  church and state, there is no pay to play, and it&rsquo;s entirely a separate  organization as it is in print.&rdquo;</p>
<p class="MsoNormal">Mr. Dadich seemed very confident about all of this. Was he scared to be  designing magazines in largely uncharted territory?</p>
<p class="MsoNormal">&nbsp;&ldquo;A little bit,&rdquo; he said. &ldquo;But as David said today, there aren&rsquo;t rules yet.  We&rsquo;re trying to fail quickly and pick ourselves up and learn from our mistakes  and, as quickly as possible, get a product that our readers are in love with  and that we enjoy making and that our advertising partners feel is helpful  to them as well.&rdquo;</p>
</div>
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		<title>With Carol Smith at Condé, Elle Can&#8217;t Compete</title>

		<comments>http://observer.com/2010/05/with-carol-smith-at-cond-emelleem-cant-compete/#comments</comments>
		<pubDate>Fri, 21 May 2010 17:23:49 -0400</pubDate>
					<link>http://observer.com/2010/05/with-carol-smith-at-cond-emelleem-cant-compete/</link>
			<dc:creator>Zeke Turner</dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/2010/05/with-carol-smith-at-cond-emelleem-cant-compete/</guid>
		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/0520_carolsmith.jpg?w=300&h=226" />While Ariel Foxman's <em>InStyle</em> <a href="/2010/media/instlye-outfoxes-vogue-elle-ad-sales-foxman-leads-charge-ipad">races ahead of <em>Vogue</em> in ad pages</a><a href="/2010/media/instlye-outfoxes-vogue-elle-ad-sales-foxman-leads-charge-ipad"> and apps</a>, <em>Elle</em> magazine is falling behind its competition. Robbie Myers' magazine is in third place after the first half of the year.</p>
<p>Keith Kelly writes this morning that <em>Elle </em>was <a href="http://www.nypost.com/p/news/business/zuckerman_gets_his_wish_qdCR5WGHenIK0jMEV8Is8H">handicapped by the departure</a> of chief brand officer Carol Smith in April and cannot be expected to compete as long as her desk stays open.</p>
<p>Ms. Smith is currently <a href="/2010/media/no-substitute-ruth-reichls-gourmet-ad-pages-non-transferable">cooking up plans</a> for <em>Bon Appetit</em> and the <em>Gourmet</em> brand for Cond&eacute; Nast.</p>
<p>Howard Sloan Koller has been hired to find a replacement for Ms. Smith, and in the meatime <em>Elle </em>publisher Anne Welch has been filling in.</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/0520_carolsmith.jpg?w=300&h=226" />While Ariel Foxman's <em>InStyle</em> <a href="/2010/media/instlye-outfoxes-vogue-elle-ad-sales-foxman-leads-charge-ipad">races ahead of <em>Vogue</em> in ad pages</a><a href="/2010/media/instlye-outfoxes-vogue-elle-ad-sales-foxman-leads-charge-ipad"> and apps</a>, <em>Elle</em> magazine is falling behind its competition. Robbie Myers' magazine is in third place after the first half of the year.</p>
<p>Keith Kelly writes this morning that <em>Elle </em>was <a href="http://www.nypost.com/p/news/business/zuckerman_gets_his_wish_qdCR5WGHenIK0jMEV8Is8H">handicapped by the departure</a> of chief brand officer Carol Smith in April and cannot be expected to compete as long as her desk stays open.</p>
<p>Ms. Smith is currently <a href="/2010/media/no-substitute-ruth-reichls-gourmet-ad-pages-non-transferable">cooking up plans</a> for <em>Bon Appetit</em> and the <em>Gourmet</em> brand for Cond&eacute; Nast.</p>
<p>Howard Sloan Koller has been hired to find a replacement for Ms. Smith, and in the meatime <em>Elle </em>publisher Anne Welch has been filling in.</p>
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		<title>InStyle Outfoxes Vogue, Elle in Ad Sales; Foxman Leads the Charge to the iPad</title>

		<comments>http://observer.com/2010/05/eminstyleem-outfoxes-emvogueem-emelleem-in-ad-sales-foxman-leads-the-charge-to-the-ipad/#comments</comments>
		<pubDate>Thu, 20 May 2010 13:37:03 -0400</pubDate>
					<link>http://observer.com/2010/05/eminstyleem-outfoxes-emvogueem-emelleem-in-ad-sales-foxman-leads-the-charge-to-the-ipad/</link>
			<dc:creator>Zeke Turner</dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/2010/05/eminstyleem-outfoxes-emvogueem-emelleem-in-ad-sales-foxman-leads-the-charge-to-the-ipad/</guid>
		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/0520foxmanf.jpg?w=300&h=185" />Ariel Foxman's <em>InStyle </em>beat <em>Vogue</em> and every other fashion title in ad pages in the first half of 2010, and now Mr. Foxman is planning to beat his competition to the iPad as well.</p>
<p>On Tuesday night Mr. Foxman announced that <a href="http://www.wwd.com/media-news/fashion-memopad/people-dont-need-people-fashion-mags-slow-to-launch-ipad-aps-3080934#/article/media-news/fashion-memopad/people-dont-need-people-fashion-mags-slow-to-launch-ipad-aps-3080934?page=3">he plans to launch an <em>InStyle</em> iPad app</a> before the end of the year, according to <em>Memo Pad. </em></p>
<p>Mr. Foxman's title sold over 1,100 ad pages in the first half of 2010, according to Keith Kelly, <a href="http://www.nypost.com/p/news/business/zuckerman_considers_making_newsweek_h9bMxA7qXI92QREOwUhGiL">beating <em>Vogue </em>by over 100 pages</a>, and leaving <em>Elle</em> in third place.</p>
<p>In 2007 <em>Vogue</em> beat <em>InStyle</em> by over 300 ad pages, but circulation and ad pages were already beginning to look up for <em>InStyle</em> the following year when Mr. Foxman <a href="/2008/media/styles-editorship-goes-ariel-foxman-charla-lawhon-bumped">took over the magazine</a>.</p>
<p>Mr. Foxman will have to defend his stance in the second half of the year as <a href="/2010/media/year-looks-last-year-still-hurts-more-wins-time-inc-w-continues-slide">new ad pages continue to come up for grabs</a>.</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/0520foxmanf.jpg?w=300&h=185" />Ariel Foxman's <em>InStyle </em>beat <em>Vogue</em> and every other fashion title in ad pages in the first half of 2010, and now Mr. Foxman is planning to beat his competition to the iPad as well.</p>
<p>On Tuesday night Mr. Foxman announced that <a href="http://www.wwd.com/media-news/fashion-memopad/people-dont-need-people-fashion-mags-slow-to-launch-ipad-aps-3080934#/article/media-news/fashion-memopad/people-dont-need-people-fashion-mags-slow-to-launch-ipad-aps-3080934?page=3">he plans to launch an <em>InStyle</em> iPad app</a> before the end of the year, according to <em>Memo Pad. </em></p>
<p>Mr. Foxman's title sold over 1,100 ad pages in the first half of 2010, according to Keith Kelly, <a href="http://www.nypost.com/p/news/business/zuckerman_considers_making_newsweek_h9bMxA7qXI92QREOwUhGiL">beating <em>Vogue </em>by over 100 pages</a>, and leaving <em>Elle</em> in third place.</p>
<p>In 2007 <em>Vogue</em> beat <em>InStyle</em> by over 300 ad pages, but circulation and ad pages were already beginning to look up for <em>InStyle</em> the following year when Mr. Foxman <a href="/2008/media/styles-editorship-goes-ariel-foxman-charla-lawhon-bumped">took over the magazine</a>.</p>
<p>Mr. Foxman will have to defend his stance in the second half of the year as <a href="/2010/media/year-looks-last-year-still-hurts-more-wins-time-inc-w-continues-slide">new ad pages continue to come up for grabs</a>.</p>
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		<title>World Gets Smaller for Celebrity Journalists, Safer for Celebrity Matrimony</title>

		<comments>http://observer.com/2009/11/world-gets-smaller-for-celebrity-journalists-safer-for-celebrity-matrimony/#comments</comments>
		<pubDate>Tue, 24 Nov 2009 20:20:29 -0400</pubDate>
					<link>http://observer.com/2009/11/world-gets-smaller-for-celebrity-journalists-safer-for-celebrity-matrimony/</link>
			<dc:creator>Molly Fischer</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/in_spiss2007_cvr_09springwedsarahshahi261.jpg?w=240&h=300" />Time Inc. is folding <em>InStyle Weddings, </em><a href="http://gawker.com/5412019/time-inc-folding-instyle-weddings?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+gawker%2Ffull+(Gawker)&amp;utm_content=Google+Reader" target="_blank">says Gawker</a>. With it, presumably, goes <a href="http://www.nytimes.com/2002/06/02/style/the-curse-of-the-instyle-wedding.html" target="_blank">the curse of the <em>InStyle</em> wedding</a>, which ordained that unions featured on the magazine's cover would meet bad ends.</p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/in_spiss2007_cvr_09springwedsarahshahi261.jpg?w=240&h=300" />Time Inc. is folding <em>InStyle Weddings, </em><a href="http://gawker.com/5412019/time-inc-folding-instyle-weddings?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+gawker%2Ffull+(Gawker)&amp;utm_content=Google+Reader" target="_blank">says Gawker</a>. With it, presumably, goes <a href="http://www.nytimes.com/2002/06/02/style/the-curse-of-the-instyle-wedding.html" target="_blank">the curse of the <em>InStyle</em> wedding</a>, which ordained that unions featured on the magazine's cover would meet bad ends.</p>
]]></content:encoded>
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		<title>Lipstick Wars at Fashion Mags! Fur Flies Under Florio</title>

		<comments>http://observer.com/2009/03/lipstick-wars-at-fashion-mags-fur-flies-under-florio/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 00:08:56 -0400</pubDate>
					<link>http://observer.com/2009/03/lipstick-wars-at-fashion-mags-fur-flies-under-florio/</link>
			<dc:creator>John Koblin</dc:creator>
				
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		<description><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/c_otr.jpg?w=300&h=199" />On Feb. 20, longtime <em>Vogue </em>associate publisher Connie Anne Phillips left 4 Times Square to become the publisher of Time Inc.&rsquo;s <em>InStyle</em>&ndash;a <em>Vogue</em> competitor. Tom Florio, the brusque, old-school Cond&eacute; Nast veteran and <em>Vogue</em> publisher, was losing a powerful deputy and longtime friend.</p>
<p class="text"><span style="letter-spacing: -0.1pt">According to Cond&eacute; Nast sources, Mr. Florio was not at all pleased with the thought of Ms. Phillips raiding his staff as she figured out her plans with <em>InStyle</em>. Moreover: &ldquo;He really cared for her and he was really bruised when she said she was leaving,&rdquo; as one well-placed insider put it. </span></p>
<p class="text"><span style="letter-spacing: -0.15pt">Mr. Florio had additional reason to be wounded. Before Ms. Phillips got her new gig, the executive director of beauty ads at <em>Vogue</em>, Toria Garrett, announced <em>she</em> was leaving for <em>InStyle</em>, to become the advertising director of beauty and lifestyle. She was a hot property at a time when beauty&mdash;which is to say, cosmetics&mdash;is particularly important to women&rsquo;s magazines; fashion companies have balked at advertising in the face of their industry&rsquo;s general contraction; but even during a depression&mdash;<em>especially </em>during a depression&mdash;women always need a little lipstick pick-me-up!</span></p>
<p class="text"><span style="letter-spacing: -0.15pt">After Ms. Phillips&rsquo; letter of resignation landed on Mr. Florio&rsquo;s desk, a decision was made to go back after Ms. Garrett, hard. This may be a moment when many staffers throughout Cond&eacute; Nast are taking on two and three jobs, but Mr. Florio grew up in the company at a point when raiding rival staffs, whatever it took, was part of the game. Time to turn back the clock.<span>&nbsp; </span></span></p>
<p class="text"><span style="letter-spacing: -0.1pt">On March 2, Ms. Garrett abruptly turned around, without putting in even one day at <em>InStyle</em>, and announced she was moving back to <em>Vogue</em>, with a shiny new title: advertising director, overseeing the magazine&rsquo;s beauty and non-endemic business.</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Score for Mr. Florio. </span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Both camps insist that there was no specific message sent by the rehire, and that there is no tension. </span></p>
<p class="text"><span style="letter-spacing: -0.1pt">&ldquo;Tom <em>encouraged</em> Connie Anne to interview for the position at <em>InStyle</em>,&rdquo; said Elissa Lumley, spokeswoman for <em>Vogue</em>. &ldquo;He called people in the organization to recommend her. When he heard that Connie Anne got the job, he was genuinely happy for her and hugged her.&rdquo;</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">&ldquo;Connie Anne and Tom remain good friends,&rdquo; said an <em>InStyle</em> spokeswoman, &ldquo;and she is focused on getting to know her new staff at <em>InStyle</em>.</span></p>
<p class="text"><span style="letter-spacing: -0.25pt">Yet one could be forgiven for expecting Mr. Florio&rsquo;s and Ms. Phillips&rsquo;s newfound professional rivalry to be fraught. They&rsquo;ve had a close working relationship for years. They were also friends&mdash;they&rsquo;re neighbors in Sag Harbor, and Mr. Florio&rsquo;s children affectionately called Ms. Phillips &ldquo;Auntie Con-Con.&rdquo; </span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Ms. Phillips was also one of the most powerful deputies at 4 Times Square. While Mr. Florio oversees the large <em>Vogue</em> empire, Ms. Phillips did a lot toward running the day-to-day operations at the classy monthly. Last year, her title was changed to managing director to reward her for increased influence at the magazine. </span></p>
<p class="text"><span style="letter-spacing: -0.15pt">In recent months, however, Cond&eacute; Nast has not been in a position to be particularly nurturing of proteges. When Si Newhouse and CEO Chuck Townsend were considering what to do with the now-defunct shelter title <em>Domino</em> a few months ago, they were openly shopping for a new publisher. Ms. Phillips, two sources said, wanted the job. She did not get it (of course, this might have been a blessing, since the decision was made to fold <em>Domino </em>on Jan. 28). <em><span>&nbsp;</span></em></span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Ms. Phillips started at <em>InStyle</em> on Feb. 23, one workday after she resigned from <em>Vogue</em>. </span></p>
<p class="text"><span style="letter-spacing: -0.1pt"><em>jkoblin@observer.com</em><br /></span></p>
]]></description>
		<content:encoded><![CDATA[<p><img class="alignleft" src="http://nyoobserver.files.wordpress.com/2011/06/c_otr.jpg?w=300&h=199" />On Feb. 20, longtime <em>Vogue </em>associate publisher Connie Anne Phillips left 4 Times Square to become the publisher of Time Inc.&rsquo;s <em>InStyle</em>&ndash;a <em>Vogue</em> competitor. Tom Florio, the brusque, old-school Cond&eacute; Nast veteran and <em>Vogue</em> publisher, was losing a powerful deputy and longtime friend.</p>
<p class="text"><span style="letter-spacing: -0.1pt">According to Cond&eacute; Nast sources, Mr. Florio was not at all pleased with the thought of Ms. Phillips raiding his staff as she figured out her plans with <em>InStyle</em>. Moreover: &ldquo;He really cared for her and he was really bruised when she said she was leaving,&rdquo; as one well-placed insider put it. </span></p>
<p class="text"><span style="letter-spacing: -0.15pt">Mr. Florio had additional reason to be wounded. Before Ms. Phillips got her new gig, the executive director of beauty ads at <em>Vogue</em>, Toria Garrett, announced <em>she</em> was leaving for <em>InStyle</em>, to become the advertising director of beauty and lifestyle. She was a hot property at a time when beauty&mdash;which is to say, cosmetics&mdash;is particularly important to women&rsquo;s magazines; fashion companies have balked at advertising in the face of their industry&rsquo;s general contraction; but even during a depression&mdash;<em>especially </em>during a depression&mdash;women always need a little lipstick pick-me-up!</span></p>
<p class="text"><span style="letter-spacing: -0.15pt">After Ms. Phillips&rsquo; letter of resignation landed on Mr. Florio&rsquo;s desk, a decision was made to go back after Ms. Garrett, hard. This may be a moment when many staffers throughout Cond&eacute; Nast are taking on two and three jobs, but Mr. Florio grew up in the company at a point when raiding rival staffs, whatever it took, was part of the game. Time to turn back the clock.<span>&nbsp; </span></span></p>
<p class="text"><span style="letter-spacing: -0.1pt">On March 2, Ms. Garrett abruptly turned around, without putting in even one day at <em>InStyle</em>, and announced she was moving back to <em>Vogue</em>, with a shiny new title: advertising director, overseeing the magazine&rsquo;s beauty and non-endemic business.</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Score for Mr. Florio. </span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Both camps insist that there was no specific message sent by the rehire, and that there is no tension. </span></p>
<p class="text"><span style="letter-spacing: -0.1pt">&ldquo;Tom <em>encouraged</em> Connie Anne to interview for the position at <em>InStyle</em>,&rdquo; said Elissa Lumley, spokeswoman for <em>Vogue</em>. &ldquo;He called people in the organization to recommend her. When he heard that Connie Anne got the job, he was genuinely happy for her and hugged her.&rdquo;</span></p>
<p class="text"><span style="letter-spacing: -0.1pt">&ldquo;Connie Anne and Tom remain good friends,&rdquo; said an <em>InStyle</em> spokeswoman, &ldquo;and she is focused on getting to know her new staff at <em>InStyle</em>.</span></p>
<p class="text"><span style="letter-spacing: -0.25pt">Yet one could be forgiven for expecting Mr. Florio&rsquo;s and Ms. Phillips&rsquo;s newfound professional rivalry to be fraught. They&rsquo;ve had a close working relationship for years. They were also friends&mdash;they&rsquo;re neighbors in Sag Harbor, and Mr. Florio&rsquo;s children affectionately called Ms. Phillips &ldquo;Auntie Con-Con.&rdquo; </span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Ms. Phillips was also one of the most powerful deputies at 4 Times Square. While Mr. Florio oversees the large <em>Vogue</em> empire, Ms. Phillips did a lot toward running the day-to-day operations at the classy monthly. Last year, her title was changed to managing director to reward her for increased influence at the magazine. </span></p>
<p class="text"><span style="letter-spacing: -0.15pt">In recent months, however, Cond&eacute; Nast has not been in a position to be particularly nurturing of proteges. When Si Newhouse and CEO Chuck Townsend were considering what to do with the now-defunct shelter title <em>Domino</em> a few months ago, they were openly shopping for a new publisher. Ms. Phillips, two sources said, wanted the job. She did not get it (of course, this might have been a blessing, since the decision was made to fold <em>Domino </em>on Jan. 28). <em><span>&nbsp;</span></em></span></p>
<p class="text"><span style="letter-spacing: -0.1pt">Ms. Phillips started at <em>InStyle</em> on Feb. 23, one workday after she resigned from <em>Vogue</em>. </span></p>
<p class="text"><span style="letter-spacing: -0.1pt"><em>jkoblin@observer.com</em><br /></span></p>
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