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	<title>Observer &#187; Intellectual Property</title>
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		<title>Observer &#187; Intellectual Property</title>
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		<title>Etan Patz’s Father Pulls Etan’s Photos</title>

		<comments>http://observer.com/2012/05/etan-patzs-father-pulls-etans-photos/#comments</comments>
		<pubDate>Wed, 30 May 2012 17:00:25 -0400</pubDate>
					<link>http://observer.com/2012/05/etan-patzs-father-pulls-etans-photos/</link>
			<dc:creator>Ben Weitzenkorn</dc:creator>
				
		<guid isPermaLink="false">http://observer.com/?p=242450</guid>
		<description><![CDATA[<p><div id="attachment_242458" class="wp-caption alignleft" style="width: 249px"><a href="http://observer.com/2012/05/etan-patzs-father-pulls-etans-photos/etan_patz_1978/" rel="attachment wp-att-242458"><img class="size-medium wp-image-242458" title="Etan_Patz_1978" src="http://nyoobserver.files.wordpress.com/2012/05/etan_patz_1978.jpeg?w=239" alt="" width="239" height="300" /></a><p class="wp-caption-text">Etan Patz as taken by his father, Stanley Patz in 1978. This photograph was taken from Wikipedia where it is listed under a Creative Commons attribution license.</p></div></p>
<p>More than 30 years after his son Etan became one of the first missing children to appear on a milk carton, Stanley Patz has withdrawn distribution rights for his photographs from the Associated Press.</p>
<p>In a statement, the AP said it had removed four photos of Etan from their database and instructed its member newspapers do the same. The request came shortly after the April excavation of a Soho basement failed to uncover Etan’s remains and before Pedro Hernandez’s confession thrust the grieving family back into the media spotlight.</p>
<p>When 6-year-old Etan disappeared on the streets of Soho in 1979, the Patzs believed circulating the collection of personal photos (Mr. Patz is a professional photographer) would aid in their son’s speedy return. Instead, they helped make it one of the most sensational and heartbreaking media stories of the decade.<!--more--></p>
<p>As John Miller, a CBS News senior correspondent who covered Etan’s disappearance story for Channel 5 News, told <em>The Observer </em>in its <a href="http://observer.com/2012/04/the-story-of-etan-patz-reporters-remember-the-quest-to-cover-and-find-sohos-missing-boy/?show=all">oral history of the media spectacle</a>: “You had this clear-eyed, bonde-haired boy, with this impish grin who would mug for the camera in different ways, and a father who had hundreds of high-quality photographs. It was something that was very organized for television and the newspapers because of the imagery.”</p>
<p><div id="attachment_243239" class="wp-caption alignleft" style="width: 261px"><a href="http://observer.com/2012/05/etan-patzs-father-pulls-etans-photos/front052812/" rel="attachment wp-att-243239"><img class="size-full wp-image-243239" title="front05281" src="http://nyoobserver.files.wordpress.com/2012/05/front052812.jpg" alt="" width="251" height="281" /></a><p class="wp-caption-text">Saturday's <em>Post</em>.</p></div></p>
<p>“The photograph,” author Anna Quindlen, then a <em>New York Times</em> reporter said. “There’s probably no little boy who’s ever been photographed in history who is as alive in the frame as that child is in those photographs.”</p>
<p>Indeed, the iconic story’s re-emergence is a boon to tabloids, especially since the revocation of the <em>AP's</em> distribution rights doesn't apply the publishing permissions that the Patz family gave individual news outlets, according to one New York photo editor. In the meantime—as any hacked starlet can attest—the Internet has made controlling an image’s circulation virtually impossible.</p>
<p>But since Etan was legally declared dead in 2001, the photographs’ emotional impact—and their enduring ability to sell newspapers—only serve to extend his family’s pain.</p>
<p>“I wish this could end,” Etan’s mother Julie Patz, told the <a href="http://www.nydailynews.com/new-york/etan-patz-parents-show-strain-son-alleged-killer-meets-lawyer-article-1.1086198"><em>Daily News</em></a>. “This is taking my freedom away. I just wish this could be over.”</p>
<p>Mr. Patz taped a sign outside his Soho loft, addressed to “all the media people hanging around here.”</p>
<p>“You have managed to make a difficult decision even worse,” he wrote. “It is past time for you to leave me, my family and my neighbors alone.”</p>
]]></description>
		<content:encoded><![CDATA[<p><div id="attachment_242458" class="wp-caption alignleft" style="width: 249px"><a href="http://observer.com/2012/05/etan-patzs-father-pulls-etans-photos/etan_patz_1978/" rel="attachment wp-att-242458"><img class="size-medium wp-image-242458" title="Etan_Patz_1978" src="http://nyoobserver.files.wordpress.com/2012/05/etan_patz_1978.jpeg?w=239" alt="" width="239" height="300" /></a><p class="wp-caption-text">Etan Patz as taken by his father, Stanley Patz in 1978. This photograph was taken from Wikipedia where it is listed under a Creative Commons attribution license.</p></div></p>
<p>More than 30 years after his son Etan became one of the first missing children to appear on a milk carton, Stanley Patz has withdrawn distribution rights for his photographs from the Associated Press.</p>
<p>In a statement, the AP said it had removed four photos of Etan from their database and instructed its member newspapers do the same. The request came shortly after the April excavation of a Soho basement failed to uncover Etan’s remains and before Pedro Hernandez’s confession thrust the grieving family back into the media spotlight.</p>
<p>When 6-year-old Etan disappeared on the streets of Soho in 1979, the Patzs believed circulating the collection of personal photos (Mr. Patz is a professional photographer) would aid in their son’s speedy return. Instead, they helped make it one of the most sensational and heartbreaking media stories of the decade.<!--more--></p>
<p>As John Miller, a CBS News senior correspondent who covered Etan’s disappearance story for Channel 5 News, told <em>The Observer </em>in its <a href="http://observer.com/2012/04/the-story-of-etan-patz-reporters-remember-the-quest-to-cover-and-find-sohos-missing-boy/?show=all">oral history of the media spectacle</a>: “You had this clear-eyed, bonde-haired boy, with this impish grin who would mug for the camera in different ways, and a father who had hundreds of high-quality photographs. It was something that was very organized for television and the newspapers because of the imagery.”</p>
<p><div id="attachment_243239" class="wp-caption alignleft" style="width: 261px"><a href="http://observer.com/2012/05/etan-patzs-father-pulls-etans-photos/front052812/" rel="attachment wp-att-243239"><img class="size-full wp-image-243239" title="front05281" src="http://nyoobserver.files.wordpress.com/2012/05/front052812.jpg" alt="" width="251" height="281" /></a><p class="wp-caption-text">Saturday's <em>Post</em>.</p></div></p>
<p>“The photograph,” author Anna Quindlen, then a <em>New York Times</em> reporter said. “There’s probably no little boy who’s ever been photographed in history who is as alive in the frame as that child is in those photographs.”</p>
<p>Indeed, the iconic story’s re-emergence is a boon to tabloids, especially since the revocation of the <em>AP's</em> distribution rights doesn't apply the publishing permissions that the Patz family gave individual news outlets, according to one New York photo editor. In the meantime—as any hacked starlet can attest—the Internet has made controlling an image’s circulation virtually impossible.</p>
<p>But since Etan was legally declared dead in 2001, the photographs’ emotional impact—and their enduring ability to sell newspapers—only serve to extend his family’s pain.</p>
<p>“I wish this could end,” Etan’s mother Julie Patz, told the <a href="http://www.nydailynews.com/new-york/etan-patz-parents-show-strain-son-alleged-killer-meets-lawyer-article-1.1086198"><em>Daily News</em></a>. “This is taking my freedom away. I just wish this could be over.”</p>
<p>Mr. Patz taped a sign outside his Soho loft, addressed to “all the media people hanging around here.”</p>
<p>“You have managed to make a difficult decision even worse,” he wrote. “It is past time for you to leave me, my family and my neighbors alone.”</p>
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		<slash:comments>0</slash:comments>
	
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		<title>Stop SOPA and PIPA</title>

		<comments>http://observer.com/2012/01/stop-sopa-and-pipa/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 19:37:19 -0400</pubDate>
					<link>http://observer.com/2012/01/stop-sopa-and-pipa/</link>
			<dc:creator></dc:creator>
				
		<guid isPermaLink="false">http://www.observer.com/?p=215081</guid>
		<description><![CDATA[<p>There seems to be a growing consensus that the SOPA and PIPA may be DOA. That’s OK by us.</p>
<p>The recent Internet-led protest movement against the Stop Online Piracy Act and the Protect Intellectual Property Act clearly has had a profound effect on support for these chilling pieces of legislation. What’s astonishing is that the protests appear to have caught Washington by surprise. According to a report in <em>PC World</em>, neither supporters nor opponents of the bills “anticipated the response by Internet users.” Likewise, the rallying effect of protests led by Wikipedia, Google and other companies stunned the nation’s lawmakers.</p>
<p>Sadly, it is clear that Washington remains firmly entrenched in the 20<sup>th</sup> century<!--more-->, with very little sense of how these two pieces of legislation could have a chilling effect on free speech, stifle creativity and innovation and expand government intervention in the free marketplace.</p>
<p>The legislation’s supporters further publicized their absolute cluelessness by assuming that they could railroad SOPA (the House bill) and PIPA (the Senate version) through Capitol Hill using the lobbying equivalent of Rust Belt technology. They rented big-shot lobbyists and depended on the clout of well-connected spokesmen like former Connecticut Senator Chris Dodd, who has moved from the Hill to be chairman and CEO of the Motion Picture Association of America.</p>
<p>That’s how most legislation gets passed. But SOPA and PIPA aren’t run-of-the-mill pieces of legislation. With their broad implications for free speech, they have incited a virtual rebellion among citizens who clearly know more about the Internet than the men and women who grace the U.S. Senate and House of Representatives. Thirteen million Internet users took part in the recent on-line protest against SOPA and PIPA. Three million emails poured into the inboxes of members of Congress in a single day.</p>
<p>If you didn’t count on this kind of response—and Congress clearly didn’t—it follows that you simply don’t understand the brave new world of the web. And if that’s the case, you should not be regulating it.</p>
<p>But even if Washington were better-informed, the legislation is what it is—an assault on free speech and unfettered access to information. These bills deserve a quick burial.</p>
]]></description>
		<content:encoded><![CDATA[<p>There seems to be a growing consensus that the SOPA and PIPA may be DOA. That’s OK by us.</p>
<p>The recent Internet-led protest movement against the Stop Online Piracy Act and the Protect Intellectual Property Act clearly has had a profound effect on support for these chilling pieces of legislation. What’s astonishing is that the protests appear to have caught Washington by surprise. According to a report in <em>PC World</em>, neither supporters nor opponents of the bills “anticipated the response by Internet users.” Likewise, the rallying effect of protests led by Wikipedia, Google and other companies stunned the nation’s lawmakers.</p>
<p>Sadly, it is clear that Washington remains firmly entrenched in the 20<sup>th</sup> century<!--more-->, with very little sense of how these two pieces of legislation could have a chilling effect on free speech, stifle creativity and innovation and expand government intervention in the free marketplace.</p>
<p>The legislation’s supporters further publicized their absolute cluelessness by assuming that they could railroad SOPA (the House bill) and PIPA (the Senate version) through Capitol Hill using the lobbying equivalent of Rust Belt technology. They rented big-shot lobbyists and depended on the clout of well-connected spokesmen like former Connecticut Senator Chris Dodd, who has moved from the Hill to be chairman and CEO of the Motion Picture Association of America.</p>
<p>That’s how most legislation gets passed. But SOPA and PIPA aren’t run-of-the-mill pieces of legislation. With their broad implications for free speech, they have incited a virtual rebellion among citizens who clearly know more about the Internet than the men and women who grace the U.S. Senate and House of Representatives. Thirteen million Internet users took part in the recent on-line protest against SOPA and PIPA. Three million emails poured into the inboxes of members of Congress in a single day.</p>
<p>If you didn’t count on this kind of response—and Congress clearly didn’t—it follows that you simply don’t understand the brave new world of the web. And if that’s the case, you should not be regulating it.</p>
<p>But even if Washington were better-informed, the legislation is what it is—an assault on free speech and unfettered access to information. These bills deserve a quick burial.</p>
]]></content:encoded>
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		<slash:comments>5</slash:comments>
	
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