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	<title>Observer &#187; Janet Cooke</title>
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		<title>Observer &#187; Janet Cooke</title>
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		<title>Kaavyagate, the Prequel, the Sequel &amp; the Miniseries</title>

		<comments>http://observer.com/2006/05/kaavyagate-the-prequel-the-sequel-the-miniseries/#comments</comments>
		<pubDate>Tue, 02 May 2006 17:05:44 -0400</pubDate>
					<link>http://observer.com/2006/05/kaavyagate-the-prequel-the-sequel-the-miniseries/</link>
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		<description><![CDATA[<p>The Harvard Independent is now calling the Kaavya Visnawathan story <a href="http://www.harvardindependent.com/ViewArticle.aspx?ArticleID=9940">Kaavya-gate</a>. That of course is their prerogative. Heck, they're college students. But the Times, after first imbibing the Kaavya story hook, line and stinker, is now chasing the bloggers. <a href="http://www.nytimes.com/aponline/arts/AP-Young-Author.html?_r=1&amp;oref=slogin">The Times </a>got in a couple of swift kicks on Kaavya this morning, pointing out that there was another book it sure looks like she plagiarized, by Sophie Kinsella.</p>
<p>It's amazing that western civilization managed to get through a bunch of other publishing hoaxes, Janet Cooke, Rich Cohn, Stephen Glass, Michael Finkel and the Epstein kid (Jason, Jacob?) without the internet putting red ants in the doer's underpants. (Yes, I wish the internet had been there for the Vince Foster death in '93, but) the internet has no goddamn sense of proportion. </p>
<p>When are you going to let up on Kaavya? The girl's 19. When has the chick paid enough for her crimes? When does the story, unh, lose its interest? When is your Gotcha gland fully palped? O.K., I agree: maybe Kaavya should make a full confession. Maybe, as a comment-er said to me below, She should give back the money. But is that our business? I'm not sure. Little, Brown has behaved like mensches. Isn't it up to them and Kaavya whether they get the money back? </p>
<p>What's enough? Should we pillory her in Harvard yard? Should we give her a big red P to stitch on her shirt?</p>
<p>Secretly now I'm pulling for Kaavya. Go write a book about what happened, hon. But please&#151;lose the Range Rover, you're destroying the glaciers.</p>
]]></description>
		<content:encoded><![CDATA[<p>The Harvard Independent is now calling the Kaavya Visnawathan story <a href="http://www.harvardindependent.com/ViewArticle.aspx?ArticleID=9940">Kaavya-gate</a>. That of course is their prerogative. Heck, they're college students. But the Times, after first imbibing the Kaavya story hook, line and stinker, is now chasing the bloggers. <a href="http://www.nytimes.com/aponline/arts/AP-Young-Author.html?_r=1&amp;oref=slogin">The Times </a>got in a couple of swift kicks on Kaavya this morning, pointing out that there was another book it sure looks like she plagiarized, by Sophie Kinsella.</p>
<p>It's amazing that western civilization managed to get through a bunch of other publishing hoaxes, Janet Cooke, Rich Cohn, Stephen Glass, Michael Finkel and the Epstein kid (Jason, Jacob?) without the internet putting red ants in the doer's underpants. (Yes, I wish the internet had been there for the Vince Foster death in '93, but) the internet has no goddamn sense of proportion. </p>
<p>When are you going to let up on Kaavya? The girl's 19. When has the chick paid enough for her crimes? When does the story, unh, lose its interest? When is your Gotcha gland fully palped? O.K., I agree: maybe Kaavya should make a full confession. Maybe, as a comment-er said to me below, She should give back the money. But is that our business? I'm not sure. Little, Brown has behaved like mensches. Isn't it up to them and Kaavya whether they get the money back? </p>
<p>What's enough? Should we pillory her in Harvard yard? Should we give her a big red P to stitch on her shirt?</p>
<p>Secretly now I'm pulling for Kaavya. Go write a book about what happened, hon. But please&#151;lose the Range Rover, you're destroying the glaciers.</p>
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		<title>The Liars&#8217; Club: An Incomplete History of Untruths and Consequences</title>

		<comments>http://observer.com/2006/03/the-liars-club-an-incomplete-history-of-untruths-and-consequences/#comments</comments>
		<pubDate>Mon, 06 Mar 2006 18:06:07 -0400</pubDate>
					<link>http://observer.com/2006/03/the-liars-club-an-incomplete-history-of-untruths-and-consequences/</link>
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		<description><![CDATA[<p>Last week, <em>Village Voice</em> senior associate editor Nick Sylvester became the latest poster boy for journalistic malfeasance when it was revealed that he had fabricated part of a cover story for <i>The Voice</i>. The paper acted swiftly, suspending Sylvester, printing a <a href="http://villagevoice.com/news/0610,news,72372,2.html">letter of apology</a>, and removing the offending story from its website. (A widely linked cached version of the story seems to no longer be available.)  <i>Voice</i> managing editor Doug Simmons has <a href="http://www.thenation.com/blogs/notion?bid=15">professed</a> his affection for Sylvester and his willingness to cut the writer some slack since "The thought of firing him is a painful one for me." (Full disclosure: I worked at the <i>Voice</i> before Sylvester arrived and was fired by Simmons.)</p>
<p>Has Sylvester ruined his career? What follows is a survey of other writers who couldn't resist going for a little something extra. Some of them fabricated, some plagiarized, some composited where they had no business doing so. Nick Sylvester's future is far from written (early retirement? a novel? a career in Hollywood? law school?), but if these writers are any guide, he'll probably be just fine. He's young, white, and Ivy League-educated, so he probably won't wind up selling shoes in Michigan like Janet Cooke. &mdash;<i>Matt Haber</i></p>
<p><b>Update: </b> <i>The Black Table</i> got there a few scandals ago. It can be found <a href="http://www.blacktable.com/gillin030520.htm">here</a>.</p>
<p><big><b>The Accused</b> Mike Barnicle</big></p>
<p><b>Crime Against Journalism</b> Fabrication; plagiarism</p>
<p><b>Rap Sheet</b> Barnicle, a columnist for <i>The Boston Globe</i>, faced accusations of plagiarism and fabrication for years before a 1995 story about two kids dying of cancer was determined to be a fraud. (See: <a href="http://www.salon.com/media/1998/08/20media.html"><b>Repeat Offender</b></a>, by Tom Mashberg, <i>Salon</i>, August 20, 1998.) Dan Kennedy of <i>The Boston Phoenix</i> unearthed <a href="http://www.bostonphoenix.com/archive/features/98/08/20/BARNICLE_VS_LIEBLING.html">similarities</a> between Barnicle's writing and A.J. Liebling's from 1986. He was also accused of borrowing <a href="http://www.boston-online.com/barnicle/">observations</a> from comedian George Carlin.</p>
<p><b>Plea</b> Sloppiness; Laziness.</p>
<p><b>Sentence</b> Resignation from <i>The Boston Globe</i> in 1998.</p>
<p><b>Afterlife</b> After a brief period, Barnicle returned to writing, first for <i>The New York Daily News</i> and then for <i>The Boston Herald</i>.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Jayson Blair</big></p>
<p><b>Crime Against Journalism</b> Fabrication; Plagiarism</p>
<p><b>Rap Sheet</b> Starting in April 2003, several stories written by Blair, a <i>New York Times</i> reporter, were called into question after a reporter for <i>The San Antonio Express-News</i> noticed similarities between a piece by Blair and one of her own. After a <i>Times</i> investigation, it was revealed that Blair had fabricated details and quotes in several stories. (See: <i>Hard News: The Scandals at</i> The New York Times<i> and Their Meaning for America</i>, by Seth Mnookin.)</p>
<p><b>Plea</b> Mental health problems; exhaustion; bad diet.</p>
<p><b>Sentence</b> Fired.</p>
<p><b>Afterlife</b> Blair went on to write <i>Buring Down My Masters' House</i> and currently runs <a href="http://www.jayson-blair.com/about.htm">Azure Entertainment Corporation</a>.</p>
<p><b>Hollywood Ending</b> In 2003, Mnookin's <i>Newsweek</i> stories about Blair were optioned by Showtime for "a black comedy" to be written and produced by Jon Maas.</p>
<p><big><b>The Accused</b> Nik Cohn</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> In 1976, Cohn wrote "The Tribal Rites of the New Saturday Night" for <i>New York</i> magazine, a story about outer-borough discos and a working class young man who frequents them. In 1997, Cohn admitted he'd invented much of the story.</p>
<p><b>Plea</b> As a Brit living in America, Cohn claimed he couldn't find his story in Bay Ridge, Brooklyn, "So I faked it. I conjured up the story of the figure in the doorway, and named him Vincent... I wrote it all up. And presented it as fact." (See: <a href="http://www.eonline.com/News/Items/Pf/0,1527,2190,00.html"><b>Writer Admits Faking "Saturday Night Fever" Story</b></a>, by Marcus Errico, E! Online)</p>
<p><b>Sentence</b> None.</p>
<p><b>Afterlife</b> Cohn was caught up in a drug sting in 1983, but continued to write. His most recent book, <i>Triksta: Life and Death and New Orleans Rap</i>, came out in 2005.</p>
<p><b>Hollywood Ending</b> "The Tribal Rites of the New Saturday Night" was turned into the film <i>Saturday Night Fever</i> in 1977 and went on to <a href="http://boxofficemojo.com/movies/?id=saturdaynightfever.htm">gross</a>  $237,113,184 worldwide.</p>
<p><big><b>The Accused</b> Janet Cooke</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Cooke won a Pulitzer Prize in 1981 for "Jimmy's World," a <i>Washington Post</i> article about an 8-year-old junkie. The article caused a sensation despite the fact that Jimmy did not exist. (See: <b>Janet's World</b>, by Mike Sager, <i>GQ</i>, June 1996.)</p>
<p><b>Plea</b> Pressure</p>
<p><b>Sentence</b> Cooke resigned; <i>The Post</i> returned the Pulitzer.</p>
<p><b>Afterlife</b> Cooke left journalism and became a saleswoman in Michigan.</p>
<p><b>Hollywood Ending</b> Sager sold the film rights for his article to Columbia Tri-Star for $1.6 million.</p>
<p><big><b>The Accused</b> Michael Finkel</big></p>
<p><b>Crime Against Journalism</b> Compositing</p>
<p><b>Rap Sheet</b> Finkel, a writer for <i>The New York Times Magazine</i>, created a composite character in his November 18, 2002 story "Is Yousouf Mal&eacute; A Slave?" Some also questioned the veracity of other stories he'd written for the magazine. (See: <a href="http://www.newyorkmetro.com/nymetro/news/media/features/5740/"><b>The Great Pretender</b></a>, by Robert Kolker, <i>New York</i>, March 4, 2002.)</p>
<p><b>Plea</b> Overreaching; Literary ambition.</p>
<p><b>Sentence</b> Fired. <i>The Times</i> was forced to run an extensive correction.</p>
<p><b>Afterlife</b> Finkel went on to write <i>True Story: Murder, Memoir, Mea Culpa</i>, an autobiographical story of his career and a murderer who borrowed his identity. The book was excerpted in <i>Vanity Fair</i> in June 2005.</p>
<p><b>Hollywood Ending</b> Plan B, Brad Pitt's production company, optioned <i>True Story</i> in 2005.</p>
<p><big><b>The Accused</b> Stephen Glass</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Starting in 1996, Glass fabricated numerous subjects, situations, and details in pieces he wrote for <i>The New Republic</i> (where he was an associate editor), <i>Harper's</i>, <i>Rolling Stone</i>, <i>George</i>, and <i>Policy Review</i>. When a <i>TNR</i> story he wrote called "Hack Heaven" was called into question by an editor at <i>Forbes Digital Tool</i>, Glass went so far as to create a fake website for a company he made up and had his brother leave voice mails for his editor as one of his subjects. (See <b>Shattered Glass</b>, by Buzz Bissinger, <i>Vanity Fair</i>, September 1998.)</p>
<p><b>Plea</b> Youth. Desire to be liked.</p>
<p><b>Sentence</b> Two year suspension from <i>TNR</i> that became a de-facto firing by then editor Charles Lane.</p>
<p><b>Afterlife</b> Went to law school, wrote a novel based on his experience called <i>The Fabulist</i> in 2003.</p>
<p><b>Hollywood Ending</b> Hayden Christensen starred in <i>Shattered Glass</i> in 2003.</p>
<p><big><b>The Accused</b> Rodney Rothman</big></p>
<p><b>Crime Against Journalism</b> Fabrication.</p>
<p><b>Rap Sheet</b> In the November 27, 2000 issue of <i>The New Yorker</i>, Rothman, a former head writer for <i>Late Show with David Letterman</i>, fudged details of his experience infiltrating a dotcom in "My Fake Job." Rothman neglected to mention in the article that the company he walked into and pretended to work for employed his mother and invented details. (See: <a href="http://archives.cnn.com/2000/US/12/05/newyorker.apology.ap/"><b>Magazine apologizes for article with made-up details</b></a>, AP, December 5, 2000.)</p>
<p><b>Plea</b> The article was intended as a humor piece. </p>
<p><b>Sentence</b> <i>The New Yorker</i> was forced to issue an apology.</p>
<p><b>Afterlife</b> "My Fake Job" was included in <i>The Best American Nonrequired Reading 2002</i> (edited by Dave Eggers). Rothman went on to produce <i>Undeclared</i> and the short-lived sitcom <i>Committed</i>. He also wrote the well-received memoir <i>Early Bird</i> in 2005.</p>
<p><b>Hollywood Ending</b> UTA shopped "My Fake Job" to studios in 2000.</p>
<p><big><b>The Accused</b> Ruth Shalit</big></p>
<p><b>Crime Against Journalism</b> Plagiarism </p>
<p><b>Rap Sheet</b> Shalit, also an associate editor at <i>The New Republic</i>, used several passages of other writers' works in articles about the Justice Department.  (See: <a href="http://archives.cjr.org/year/95/4/plagiarize.asp"><b>Plagiarize, Plagiarize, Plagiarize... Only Be Sure to Call It Research</b></a>, by Trudy Lieberman, <i>CJR</i>, July/August 1995.) <i>The Washington Post</i> also accused her of playing fast and loose with facts in a story she wrote about the paper's affirmative action policies. She also may have borrowed another writer's phrasing for a <i>New York Times Magazine</i> profile of Bob Dole in 1995. (See: <b><a href="http://www.motherjones.com/news/outfront/1996/01/outfront_dole.html">Repeat Offender</a></b>, <i>Mother Jones</i>, January/February 1996.)</p>
<p><b>Plea</b> Computer malfunction, mixing up her "research" with her own writing.</p>
<p><b>Sentence</b> Fired by <i>TNR</i>.</p>
<p><b>Afterlife</b> Shalit left journalism to work in advertising for a time but returned, writing occasionally for <a href="http://dir.salon.com/topics/ruth_shalit/index.html"><i>Salon</i></a>, <i>Details</i>, and <i>Elle</i>, where according to her <a href="http://www.nytimes.com/2004/09/05/fashion/weddings/05SHAL.html?ex=1141707600&amp;en=2b790b4a2448f329&amp;ei=5070">wedding announcement</a> in <i>The New York Times</i>, she is a contributing writer.</p>
<p><b>Hollywood Ending</b> None, but according to <a href="http://www.laobserved.com/archive/002366.html">LA Observed</a>, she is married to Robertson Barrett, a producer for a company called Reality Pictures in Los Angeles.</p>
<p><big><b>The Accused</b> Patricia Smith</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Smith, a columnist for <i>The Boston Globe</i>, invented quotes and subjects in four columns in 1998. (See: <a href="http://www.cnn.com/US/9806/19/globe.columnist.resigns/"><b>Boston Globe columnist resigns, accused of fabrications</b></a>, CNN, June 19, 1998.)</p>
<p><b>Plea</b> Inability to create humans from whole cloth: "I attributed quotes to people who didn't exist," Smith wrote in her final column. "I could give them names, even occupations, but I couldn't give them what they needed most&mdash;a heartbeat."</p>
<p><b>Sentence</b> Resigned.</p>
<p><b>Afterlife</b> Smith continues to write poetry, publishing several books.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Elizabeth Wurtzel</big></p>
<p><b>Crime Against Journalism</b> Plagiarism</p>
<p><b>Rap Sheet</b> In 1988, Wurtzel was accused of lifting passages from another writer's work in her work in <i>The Dallas Morning News</i>. (See: <a href="http://www.salon.com/weekly/plagiarism960722.html"><b>Beg, Borrow, Or...</b></a>, by Dwight Garner, <i>Salon</i>, July 22, 1996.)</p>
<p><b>Plea</b> None.</p>
<p><b>Sentence</b> Fired from <i>The Dallas Morning News</i>.</p>
<p><b>Afterlife</b> After her firing, Wurtzel managed to become the music critic for <i>New York</i>, <i>The New Yorker</i>, and publish the memoir <i>Prozac Nation</i> in 1997. (That book also faced accusations of fabrications). In 2004, Wurtzel was accepted by Yale Law School.</p>
<p><b>Hollywood Ending</b> The film version of Wurtzel's <i>Prozac Nation</i> was made in 2001 but didn't appear in the U.S. until 2005 when it went direct to cable.</p>
]]></description>
		<content:encoded><![CDATA[<p>Last week, <em>Village Voice</em> senior associate editor Nick Sylvester became the latest poster boy for journalistic malfeasance when it was revealed that he had fabricated part of a cover story for <i>The Voice</i>. The paper acted swiftly, suspending Sylvester, printing a <a href="http://villagevoice.com/news/0610,news,72372,2.html">letter of apology</a>, and removing the offending story from its website. (A widely linked cached version of the story seems to no longer be available.)  <i>Voice</i> managing editor Doug Simmons has <a href="http://www.thenation.com/blogs/notion?bid=15">professed</a> his affection for Sylvester and his willingness to cut the writer some slack since "The thought of firing him is a painful one for me." (Full disclosure: I worked at the <i>Voice</i> before Sylvester arrived and was fired by Simmons.)</p>
<p>Has Sylvester ruined his career? What follows is a survey of other writers who couldn't resist going for a little something extra. Some of them fabricated, some plagiarized, some composited where they had no business doing so. Nick Sylvester's future is far from written (early retirement? a novel? a career in Hollywood? law school?), but if these writers are any guide, he'll probably be just fine. He's young, white, and Ivy League-educated, so he probably won't wind up selling shoes in Michigan like Janet Cooke. &mdash;<i>Matt Haber</i></p>
<p><b>Update: </b> <i>The Black Table</i> got there a few scandals ago. It can be found <a href="http://www.blacktable.com/gillin030520.htm">here</a>.</p>
<p><big><b>The Accused</b> Mike Barnicle</big></p>
<p><b>Crime Against Journalism</b> Fabrication; plagiarism</p>
<p><b>Rap Sheet</b> Barnicle, a columnist for <i>The Boston Globe</i>, faced accusations of plagiarism and fabrication for years before a 1995 story about two kids dying of cancer was determined to be a fraud. (See: <a href="http://www.salon.com/media/1998/08/20media.html"><b>Repeat Offender</b></a>, by Tom Mashberg, <i>Salon</i>, August 20, 1998.) Dan Kennedy of <i>The Boston Phoenix</i> unearthed <a href="http://www.bostonphoenix.com/archive/features/98/08/20/BARNICLE_VS_LIEBLING.html">similarities</a> between Barnicle's writing and A.J. Liebling's from 1986. He was also accused of borrowing <a href="http://www.boston-online.com/barnicle/">observations</a> from comedian George Carlin.</p>
<p><b>Plea</b> Sloppiness; Laziness.</p>
<p><b>Sentence</b> Resignation from <i>The Boston Globe</i> in 1998.</p>
<p><b>Afterlife</b> After a brief period, Barnicle returned to writing, first for <i>The New York Daily News</i> and then for <i>The Boston Herald</i>.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Jayson Blair</big></p>
<p><b>Crime Against Journalism</b> Fabrication; Plagiarism</p>
<p><b>Rap Sheet</b> Starting in April 2003, several stories written by Blair, a <i>New York Times</i> reporter, were called into question after a reporter for <i>The San Antonio Express-News</i> noticed similarities between a piece by Blair and one of her own. After a <i>Times</i> investigation, it was revealed that Blair had fabricated details and quotes in several stories. (See: <i>Hard News: The Scandals at</i> The New York Times<i> and Their Meaning for America</i>, by Seth Mnookin.)</p>
<p><b>Plea</b> Mental health problems; exhaustion; bad diet.</p>
<p><b>Sentence</b> Fired.</p>
<p><b>Afterlife</b> Blair went on to write <i>Buring Down My Masters' House</i> and currently runs <a href="http://www.jayson-blair.com/about.htm">Azure Entertainment Corporation</a>.</p>
<p><b>Hollywood Ending</b> In 2003, Mnookin's <i>Newsweek</i> stories about Blair were optioned by Showtime for "a black comedy" to be written and produced by Jon Maas.</p>
<p><big><b>The Accused</b> Nik Cohn</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> In 1976, Cohn wrote "The Tribal Rites of the New Saturday Night" for <i>New York</i> magazine, a story about outer-borough discos and a working class young man who frequents them. In 1997, Cohn admitted he'd invented much of the story.</p>
<p><b>Plea</b> As a Brit living in America, Cohn claimed he couldn't find his story in Bay Ridge, Brooklyn, "So I faked it. I conjured up the story of the figure in the doorway, and named him Vincent... I wrote it all up. And presented it as fact." (See: <a href="http://www.eonline.com/News/Items/Pf/0,1527,2190,00.html"><b>Writer Admits Faking "Saturday Night Fever" Story</b></a>, by Marcus Errico, E! Online)</p>
<p><b>Sentence</b> None.</p>
<p><b>Afterlife</b> Cohn was caught up in a drug sting in 1983, but continued to write. His most recent book, <i>Triksta: Life and Death and New Orleans Rap</i>, came out in 2005.</p>
<p><b>Hollywood Ending</b> "The Tribal Rites of the New Saturday Night" was turned into the film <i>Saturday Night Fever</i> in 1977 and went on to <a href="http://boxofficemojo.com/movies/?id=saturdaynightfever.htm">gross</a>  $237,113,184 worldwide.</p>
<p><big><b>The Accused</b> Janet Cooke</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Cooke won a Pulitzer Prize in 1981 for "Jimmy's World," a <i>Washington Post</i> article about an 8-year-old junkie. The article caused a sensation despite the fact that Jimmy did not exist. (See: <b>Janet's World</b>, by Mike Sager, <i>GQ</i>, June 1996.)</p>
<p><b>Plea</b> Pressure</p>
<p><b>Sentence</b> Cooke resigned; <i>The Post</i> returned the Pulitzer.</p>
<p><b>Afterlife</b> Cooke left journalism and became a saleswoman in Michigan.</p>
<p><b>Hollywood Ending</b> Sager sold the film rights for his article to Columbia Tri-Star for $1.6 million.</p>
<p><big><b>The Accused</b> Michael Finkel</big></p>
<p><b>Crime Against Journalism</b> Compositing</p>
<p><b>Rap Sheet</b> Finkel, a writer for <i>The New York Times Magazine</i>, created a composite character in his November 18, 2002 story "Is Yousouf Mal&eacute; A Slave?" Some also questioned the veracity of other stories he'd written for the magazine. (See: <a href="http://www.newyorkmetro.com/nymetro/news/media/features/5740/"><b>The Great Pretender</b></a>, by Robert Kolker, <i>New York</i>, March 4, 2002.)</p>
<p><b>Plea</b> Overreaching; Literary ambition.</p>
<p><b>Sentence</b> Fired. <i>The Times</i> was forced to run an extensive correction.</p>
<p><b>Afterlife</b> Finkel went on to write <i>True Story: Murder, Memoir, Mea Culpa</i>, an autobiographical story of his career and a murderer who borrowed his identity. The book was excerpted in <i>Vanity Fair</i> in June 2005.</p>
<p><b>Hollywood Ending</b> Plan B, Brad Pitt's production company, optioned <i>True Story</i> in 2005.</p>
<p><big><b>The Accused</b> Stephen Glass</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Starting in 1996, Glass fabricated numerous subjects, situations, and details in pieces he wrote for <i>The New Republic</i> (where he was an associate editor), <i>Harper's</i>, <i>Rolling Stone</i>, <i>George</i>, and <i>Policy Review</i>. When a <i>TNR</i> story he wrote called "Hack Heaven" was called into question by an editor at <i>Forbes Digital Tool</i>, Glass went so far as to create a fake website for a company he made up and had his brother leave voice mails for his editor as one of his subjects. (See <b>Shattered Glass</b>, by Buzz Bissinger, <i>Vanity Fair</i>, September 1998.)</p>
<p><b>Plea</b> Youth. Desire to be liked.</p>
<p><b>Sentence</b> Two year suspension from <i>TNR</i> that became a de-facto firing by then editor Charles Lane.</p>
<p><b>Afterlife</b> Went to law school, wrote a novel based on his experience called <i>The Fabulist</i> in 2003.</p>
<p><b>Hollywood Ending</b> Hayden Christensen starred in <i>Shattered Glass</i> in 2003.</p>
<p><big><b>The Accused</b> Rodney Rothman</big></p>
<p><b>Crime Against Journalism</b> Fabrication.</p>
<p><b>Rap Sheet</b> In the November 27, 2000 issue of <i>The New Yorker</i>, Rothman, a former head writer for <i>Late Show with David Letterman</i>, fudged details of his experience infiltrating a dotcom in "My Fake Job." Rothman neglected to mention in the article that the company he walked into and pretended to work for employed his mother and invented details. (See: <a href="http://archives.cnn.com/2000/US/12/05/newyorker.apology.ap/"><b>Magazine apologizes for article with made-up details</b></a>, AP, December 5, 2000.)</p>
<p><b>Plea</b> The article was intended as a humor piece. </p>
<p><b>Sentence</b> <i>The New Yorker</i> was forced to issue an apology.</p>
<p><b>Afterlife</b> "My Fake Job" was included in <i>The Best American Nonrequired Reading 2002</i> (edited by Dave Eggers). Rothman went on to produce <i>Undeclared</i> and the short-lived sitcom <i>Committed</i>. He also wrote the well-received memoir <i>Early Bird</i> in 2005.</p>
<p><b>Hollywood Ending</b> UTA shopped "My Fake Job" to studios in 2000.</p>
<p><big><b>The Accused</b> Ruth Shalit</big></p>
<p><b>Crime Against Journalism</b> Plagiarism </p>
<p><b>Rap Sheet</b> Shalit, also an associate editor at <i>The New Republic</i>, used several passages of other writers' works in articles about the Justice Department.  (See: <a href="http://archives.cjr.org/year/95/4/plagiarize.asp"><b>Plagiarize, Plagiarize, Plagiarize... Only Be Sure to Call It Research</b></a>, by Trudy Lieberman, <i>CJR</i>, July/August 1995.) <i>The Washington Post</i> also accused her of playing fast and loose with facts in a story she wrote about the paper's affirmative action policies. She also may have borrowed another writer's phrasing for a <i>New York Times Magazine</i> profile of Bob Dole in 1995. (See: <b><a href="http://www.motherjones.com/news/outfront/1996/01/outfront_dole.html">Repeat Offender</a></b>, <i>Mother Jones</i>, January/February 1996.)</p>
<p><b>Plea</b> Computer malfunction, mixing up her "research" with her own writing.</p>
<p><b>Sentence</b> Fired by <i>TNR</i>.</p>
<p><b>Afterlife</b> Shalit left journalism to work in advertising for a time but returned, writing occasionally for <a href="http://dir.salon.com/topics/ruth_shalit/index.html"><i>Salon</i></a>, <i>Details</i>, and <i>Elle</i>, where according to her <a href="http://www.nytimes.com/2004/09/05/fashion/weddings/05SHAL.html?ex=1141707600&amp;en=2b790b4a2448f329&amp;ei=5070">wedding announcement</a> in <i>The New York Times</i>, she is a contributing writer.</p>
<p><b>Hollywood Ending</b> None, but according to <a href="http://www.laobserved.com/archive/002366.html">LA Observed</a>, she is married to Robertson Barrett, a producer for a company called Reality Pictures in Los Angeles.</p>
<p><big><b>The Accused</b> Patricia Smith</big></p>
<p><b>Crime Against Journalism</b> Fabrication</p>
<p><b>Rap Sheet</b> Smith, a columnist for <i>The Boston Globe</i>, invented quotes and subjects in four columns in 1998. (See: <a href="http://www.cnn.com/US/9806/19/globe.columnist.resigns/"><b>Boston Globe columnist resigns, accused of fabrications</b></a>, CNN, June 19, 1998.)</p>
<p><b>Plea</b> Inability to create humans from whole cloth: "I attributed quotes to people who didn't exist," Smith wrote in her final column. "I could give them names, even occupations, but I couldn't give them what they needed most&mdash;a heartbeat."</p>
<p><b>Sentence</b> Resigned.</p>
<p><b>Afterlife</b> Smith continues to write poetry, publishing several books.</p>
<p><b>Hollywood Ending</b> None.</p>
<p><big><b>The Accused</b> Elizabeth Wurtzel</big></p>
<p><b>Crime Against Journalism</b> Plagiarism</p>
<p><b>Rap Sheet</b> In 1988, Wurtzel was accused of lifting passages from another writer's work in her work in <i>The Dallas Morning News</i>. (See: <a href="http://www.salon.com/weekly/plagiarism960722.html"><b>Beg, Borrow, Or...</b></a>, by Dwight Garner, <i>Salon</i>, July 22, 1996.)</p>
<p><b>Plea</b> None.</p>
<p><b>Sentence</b> Fired from <i>The Dallas Morning News</i>.</p>
<p><b>Afterlife</b> After her firing, Wurtzel managed to become the music critic for <i>New York</i>, <i>The New Yorker</i>, and publish the memoir <i>Prozac Nation</i> in 1997. (That book also faced accusations of fabrications). In 2004, Wurtzel was accepted by Yale Law School.</p>
<p><b>Hollywood Ending</b> The film version of Wurtzel's <i>Prozac Nation</i> was made in 2001 but didn't appear in the U.S. until 2005 when it went direct to cable.</p>
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