
Simon Dinnerstein Says: Lethem, Lahiri, Turturro and Others Write a Painter’s Gospel
Can a work of art be described as a religious experience at a time when, if not dead, God has at the very least ceded sole proprietorship over that sprawling diocese of human language that for centuries was used to necessarily invoke him?
Painted between 1971 and 1974, the three panels of Simon Dinnerstein’s The Read More


