
A Love Crime of Murders and Acquisitions
Kristin Scott Thomas’s fluency in both French and English qualifies her for all kinds of movies, but there are too many of them and she doesn’t always live up to her potential. In Love Crime, the final film by the late Alain Corneau, sporting an unflattering, mousy brown coif better suited to a suburban commuter than a powerful and fashionable executive, she appears in one of her duller efforts. Read More






