Less Is More: Diller Thrived On Limitations of Painting
What on earth prompted the painter Burgoyne Diller (1906-1965), whose work is the subject of an exhibition at the Michael Rosenfeld Gallery, to take up sculpture? Diller, an American follower of Mondrian, was incapable of treating an aesthetic decision lightly; the move to make sculpture came, no doubt, after prolonged consideration. Maybe an explanation can Read More
