Maazel’s Big Mahler Toodle-Oo: Grand, But a Tad Technical
In choosing Mahler’s Eighth Symphony for his final suite of concerts with the New York Philharmonic (June 24 through June 27), Lorin Maazel doubtless wanted to go out big—and there’s nothing bigger than the Eighth, which employed some one thousand musicians at its world premiere in 1910. But in doing so, he also chose, unwittingly, Read More

