“We’re a very democratic place,” Eric Latzky, the vice president of communications at the New York Philharmonic, said over the phone last week. “I think there was a healthy expression of ideas from a lot of people.”
When it comes to creating a concert commemorating the 10th anniversary of the Sept. 11 terrorist attacks, it seems that everyone has an opinion. This Saturday, the night before the anniversary, the Philharmonic will play what it is calling “A Concert for New York.” The program is simple: Mahler’s Second Symphony, the uplifting “Resurrection,” with two excellent soloists: soprano Dorothea Röschmann and mezzo-soprano Michelle DeYoung.
But the process of choosing the piece was more complicated. What tone do you want to set at an event like this? You don’t want to be too mournful, or too triumphant. Not too explicitly tied to 9/11, but not too general. Read More