
The Met Winks Its Way Through Rossini: Bartlett Sher’s Sorry 'Le Comte Ory'
Last year, when Bartlett Sher’s production of Women on the Verge of a Nervous Breakdown opened on Broadway, Ben Brantley wrote in The New York Times, “The distractedness of Women the musical mostly feels born of indecision and even boredom, as if it kept getting tired of whatever it was doing.” The show promptly closed, Read More

