"I hope you brought tissues," said Brooke Geahan, whose Accompanied Literary Society hosted a screening of Stephen Daldry‘s The Reader at the Tribeca Grand on Monday, Nov. 24. "It’s a crier!"
Mr. Daldry’s film is an adaptation of German writer Bernhard Schlink‘s bestselling novel starring Kate Winslet, Ralph Fiennes, and 18-year-old David Kross. The Read More
Morgan Freeman and his wife, Myrna Colley-Lee, were the first to arrive. They stepped out of a town car in front of the French restaurant Tocqueville on East 15th Street and made their way to the empty bar area. Neither knew what to expect; the hostess, Ruda Dauphin, had called it a “salon.” They were Read More
At around 7:45 p.m. on Monday, April 28, writer Carl Bernstein was mingling at the cocktail hour before the PEN Literary Awards at the Museum of Natural History, Coca Cola in hand, looking very healthy. “I ride a bike and listen to a lot of music,” he said. “I mostly listen to classical but also Read More
The National Book Foundation has released videos from the National Book Awards (hosted by Fran Liebowitz!) Here’s Fran introducing Hours novelist Michael Cunningham, who presents an award to Joan Didion after introducing her witha little speech. Afterwards you can go watch your Chris Crocker or Jacob Lodwick video or whatever. Merry stinkin’ Christmas, ingrates!
Specimen Days, by Michael Cunningham. Farrar, Straus and Giroux, 320 pages, $25.
Michael Cunningham’s Specimen Days is an extraordinary book, as ambitious as it is generous; and the depth of its kindness, or grace, is to convey that it is we ourselves, the multitude, who are extraordinary, or might be. If that sounds Read More
First, A Home at the End of the World was infamous for Colin Farrell’s full-frontal nude scene. Then it was notoriously overpublicized for not showing Colin Farrell’s full-frontal nude scene. The bottle-raising, rabble-rousing, never-shaving Irish renegade who comes across as a New Age Robert Blake, addressing the issue on television, has been joking, “Without that Read More
Stephen Daldry’s The Hours , from the screenplay by David Hare, based on the novel by Michael Cunningham, has already been voted the Best Film of 2002 by the fast-forward-looking members of the National Board of Review, who always steal a march on us more deliberative types in the New York Film Critics Circle and Read More