DIY or Die

Goodbye Blue Monday

The Broken Jukebox: Steve Trimboli, Godfather of the DIY Music Scene, Still Saving Goodbye Blue Monday

(All photos courtesy of Steve Trimboli)

If you are lucky enough to be a musician who ends up defining a period of American culture—Bob Dylan, say, or the Ramones, or hell, even Metallica—you gain a certain type of immortality. But the constellation of people who helped you get there—the siblings, the members of the “original” lineup, the manager—usually winds up on the sidelines.

Most overlooked of all in the star-making village are the scene-creators, who treat their venues like tumblers, shaking misfit kids and outcasts over and over, polishing some of them into rock gods worthy of the world’s stage. There are the occasional stars in this New York subset, men like Hilly Kristal of CBGB, Mickey Ruskin of Max’s Kansas City and, of course, Andy Warhol, with his Factory of talent.

For most, however, creating a home base for future stars is often anonymous work—as it has been for Steve Trimboli. He has spent the past 44 years bartending, managing or owning some of the most influential venues in the city’s underground music scene. Places like Be Bop Cafe, Tribeca and Scrap Bar were all legends in their own right, each a community hub for poets, prodigies, punks and others. Read More

movies

Ivanir, Hoffman, Keener and Walken in A Late Quartet.

High-Strung: Performances in A Late Quartet Are Worthy of Standing Ovation, But Story Tends To Play a Little Sharp

In A Late Quartet, a somber, moody and uneven film about chamber music and the dedicated professional musicians who devote their lives to playing it, Christopher Walken takes some getting used to as a renowned cellist with Parkinson’s disease who is forced begrudgingly to end his career as leader of one of the world’s most celebrated string quartets. A far cry from the lurid and sloppy addicts, psychopaths and serial killers he usually plays as though walking in his sleep, it’s not the kind of role I would personally think of as perfect casting for him. Also, the movie is too slow, highbrow and sophisticated to draw the youth market that loves to see Mr. Walken play violent and stoned in trash like Seven Psychopaths. But playing the cello is such a pleasant change of pace that he eventually grows on you, scene by scene, proving for the first time since his role as Leonardo DiCaprio’s troubled father 10 years ago in Catch Me If You Can, that he really can act. He—along with the rest of the elegant cast—keeps A Late Quartet in tune when it threatens to go flat.  Read More

Wellness

DJ Uncle Mike.

Say Uncle! Bungalow 8’s Legendary Deejay Keeps on Spinning

Right now, No. 8 is the most exclusive club in New York, unless you count the Zodiac, which consists of 12 male blue-blood WASPs, one of whom has to die before a new member can join. While more diverse and democratic, No. 8 does have a strict door policy. To get in, it helps if you’re famous, or know owner Bobby Rossi of LDV Hospitality or “brand partner” Amy Sacco, or preferably all three.

In his New York Times profile of Ms. Sacco (“The Empress Is In”), writer Bob Morris captured the scene at No. 8 on opening night last May, noting that patrons in the upstairs “rec room” were selecting old records and handing them to “a bearded deejay.”

I knew that had to be DJ Uncle Mike, who stopped shaving in 1990 and used to spin at Bungalow 8 and said things like “psyched,” “groovy,” “cool,” “groovy cool,” “joyous,” “happy,” “beautiful,” “lovely,” “blessed,” “lucky,” “good time,” “all good” and “life’s good.”

When Bungalow closed in 2009, along with Siberia and the Beatrice Inn, nightlife began to suck for me, especially after I found myself being picked up by two bouncers at Kenmare and bounced headfirst onto the sidewalk. Shamed, I fled to Park Slope. Soon, I felt so estranged from humanity I could only connect with my geriatric cat. Why don’t we all join the Voluntary Human Extinction Movement and return the Earth to the critters? I thought. Read More

TAX ON TAX ON TAX

george-bush-kanye-west-statement

Mitt Romney’s Tax Rate Enshrined in New Kanye West Song

If there’s one thing all Americans likely understand in some cursory manner about Mitt Romney, beyond the matter of his religion, it’s that something is curious about the way he pays his taxes. Most Americans, for example, don’t have dealings with shell corporations in the Cayman Islands. Also, in the circumstance that they’re asked for their tax returns, most Americans usually don’t have a choice as to whether or not they’re going to produce them. But as of yet, the Republican candidate for the highest office in the land hasn’t exactly seen his tax returns become a matter of interest within pop culture. Until now. Read More