When All The World’s A Stage: Mamet’s Early Work, A Life in the Theater, Is More an Exercise Than a Play
A lifetime spent in the theater is short, episodic and filled with pontificating blowhards, missed cues and bad parts in terrible plays. It is lonely, it is arbitrary, it is occasionally terrifying–you, alone on that stage, struggling to play a role as props break and cues are missed. These are the suggestions of David Mamet, Read More
