ballet

Sterling Hyltin and Andrew Veyette in "Rubies" from Jewels. (Photo: Paul Kolnik)

City Ballet’s September Start

Ballet in September used to be dead as a dodo. Now, with City Ballet’s ingenious decision to give us four weeks of repertory in the early fall, having cut down on the relentlessly long spring season when dancers, critics and audiences droop on the vine, we wake up after the dog days of August with something to look at. It’s unfortunate that this became possible only when the financially floundering City Opera was forced to decamp from the David H. Koch Theater. (To be fair, this is one thing we can’t blame on David H. Koch and his politics.) But at least the opera’s loss is dance’s gain. Read More

Culture

Ocean's Kingdom 7

Paul McCartney and Peter Martins’s Soggy Ocean Kingdom

The cows in Stella Gibbons’s immortal Cold Comfort Farm are named Graceless, Aimless, Feckless and Pointless, and that more or less is the verdict on Ocean’s Kingdom, the wildly hyped and wildly uninteresting collaboration between Peter Martins and Paul McCartney. (Sorry—Sir Paul McCartney; no P.R. release or press mention omits the knighthood.) If only Gibbons had given us a fifth cow: Endless. Read More