Meet the Wuz Girls

It’s the light, a kind of fire in the eyes, sometimes flaming, sometimes smoldering. It’s a gravitational force, sucking the attention of anyone around. It makes a decent actress seem great. It’s elusive, and not for sale. It’s natural, organic, innocent yet vaguely dangerous. And, like the best things in life, it’s fleeting.

It’s It: Read More

Parker’s Doze-y in Oh in Ohio

“Why, oh why, oh why, oh—why did I ever leave Ohio?”

Betty Comden and Adolph Green wrote those lyrics way back in 1953 for Rosalind Russell to wail in Wonderful Town. Had they known then what would happen 53 years later, they might have filed an early injunction against a sophomoric, confused and frankly filthy Read More

Parker’s Doze-y in Oh in Ohio

“Why, oh why, oh why, oh—why did I ever leave Ohio?”

Betty Comden and Adolph Green wrote those lyrics way back in 1953 for Rosalind Russell to wail in Wonderful Town. Had they known then what would happen 53 years later, they might have filed an early injunction against a sophomoric, confused and frankly Read More

You’re Gonna Make It-At Least to 5 O’Clock

Jill Sprecher’s Clockwatchers , from a screenplay by Ms. Sprecher and her sister, Karen Sprecher, has been described in the production notes as “Mary Tyler Moore meets Franz Kafka,” but Clockwatchers reminds me more of the prize-winning comic strip Dilbert , by Scott Adams, with traces of Garry Trudeau’s Doonesbury and Cathy Guisewite’s Cathy , Read More