Oedipal Drama, Russian Style: Zvyagintsev’s The Return
Andrei Zvyagintsev’s The Return has been likened to the obsessive cinema of Andrei Tarkovsky (1932-1986) by the Russian film critic and historian Oleg Sulkin. Mr. Zvyagintsev himself described his intentions in The Return in the following cryptic press statement: ” … I did not see the story as an every-day tale or a social one. Read More