Efficient Sleeping Beauty Lacks Magic and Majesty

The Tchaikovsky-Petipa Sleeping Beauty is the jewel of classical ballet. It was the ballet that awoke in Pavlova the desire to be a dancer. It was the first ballet that Balanchine appeared in, aged 10, awakening him, too, to the glory of the art-until then, he had only performed his classroom exercises mechanically and with Read More

The Inevitable, Awful Eifman Drags Us Back to the 1920′s

This shouldn’t take long. The new Boris Eifman ballet, Who’s Who , is just as ghastly as previous Eifman ballets, but instead of overwrought, like most of his work- Red Giselle , The Karamazovs , Tchaikovsky , Russian Hamlet -it’s underwrought. Since Eifman has a tiny (and ugly) dance vocabulary, and is completely unresponsive to Read More

Live Music Returns to City Ballet

The two-week New York City Ballet orchestra strike ended Tuesday afternoon, Dec. 7, in time for the musicians to be back that night where they belong-in the pit of the New York State Theater, playing Tchaikovsky’s great score for The Nutcracker . The dispute ended in confused anticlimax: An agreement between management and the orchestra’s Read More