Bored of the ‘Ring’: Wagner’s Cycle Loses Its Shine in Robert Lepage’s Timid, Visionless Production
Near the end of Robert Lepage’s production of Wagner’s Die Walküre, which opened at the Metropolitan Opera on Friday, there is a moment of arresting visual beauty. The raked stage slowly rises and, with the help of projections, turns into a looming, stark, snow-covered mountain. It’s a breathtaking transformation, one that encapsulates everything that’s wrong Read More
