Robert Ryman’s Aesthetic: Beginnings and Loose Ends

Robert Ryman has never been as approachable as he is in the exhibition at Peter Blum Gallery, the first devoted to his works on paper. Mind you, I said “approachable” with a proviso: If you’re of the opinion that Mr. Ryman’s 40-odd-year investigation of the color white has been an exercise in futility, don’t expect Read More

‘White’ Painter Debunks Prices on Witness Stand

Those who have always suspected that the contemporary-art market is one gigantic postmodern con should take a look at one lawsuit that has unfolded in Civil Court of the City of New York.

Ostensibly, it’s a lawsuit about an art deal gone awry. According to court papers, in 1996 two principals of a London gallery, Read More