When you arrive to see a play called Interviewing the Audience, you expect that there will be something metaphoric or something ironic, something somehow deep and significant buried in that straightforward titular gerund. You expect that you will see something insightful and revealing, something that asks some questions of theatergoers and transforms their responses with Read More
Disney is out; the docudrama is in!
Federico García Lorca’s final play, The House of Bernarda Alba, is the basis for Phylicia Rashad’s title role in Bernarda Alba. Ms. Rashad plays a controlling woman in a man’s world in this political allegory, ready to soak up critical praise for its timeliness. Directed by Graciela Daniele. Read More
Disney is out; the docudrama is in!
Federico García Lorca’s final play, The House of Bernarda Alba, is the basis for Phylicia Rashad’s title role in Bernarda Alba. Ms. Rashad plays a controlling woman in a man’s world in this political allegory, ready to soak up critical praise for its timeliness. Directed by Graciela Daniele. Read More
From A Cubicle for You and Your Muse, by Liesl Schillinger, The New York Times, Oct. 9, 2005:
Paragraph opened Sept. 12 in a three-story building on West 14th Street near Union Square, a few months after its founders graduated from the New School with master of fine arts degrees in creative writing. Read MoreOn Sunday, Aug. 12, the A-list was caught in the rain. They’d made it through the press gauntlet and settled into the just-dried plastic seats for the opening-night performance of The Seagull , in Central Park’s open-air Delacorte Theater, when a voice came on the P.A. asking them to put away their umbrellas, since “the Read More
