
On The Money: At the Met, ‘The Old Masters’ Is Newly Relevant
There is an Oz-like aspect to experiencing a reading of Simon Gray’s play The Old Masters at the Metropolitan Museum of Art—the wizard being the art dealer Joseph Duveen, whose altercation with his longtime colleague, Renaissance art historian Bernard Berenson, over a painting’s attribution forms the play’s central plot line. Some 124 masterpieces in the Read More








