The Eight-Day Week

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To Do Sunday: Through a Performance Darkly

You’re looking for a theatrical evening, but after catching the big screen version on Christmas day, you’d rather slit your wrists (lengthwise) than see a live performance of War Horse. The Public Theater’s Under the Radar festival is in full swing, and you’ve been hearing good things, particularly about Goodbar. The show, Read More

Make Way for Mamet the Didact!

David Mamet’s new play is here! The play that was to be Mamet, back in classic Mamet form! With a plot so incendiary that nothing about it could be revealed before performances started! With its poster and Playbill cover featuring only a simple, sexy shot of a shapely black woman’s legs in a slinky, red-sequined Read More

The Rational Exuberance of Ragtime

We’re happy here, for the most part, in our coastal bubble. We know, or at least we’re repeatedly told, on the cable-news stations and in political dialogue, that the rest of the country isn’t like us and doesn’t like us. We joke about how we sometimes visit “America,” in which we certainly don’t Read More

Hey, It’s the Comeback Kids! Liza, Mickey—Wow!

Liza Minnelli
The Palace Theatre
Through December 28

I don’t know how many comebacks a been-around human body over 50 is physiologically capable of pulling off before it drops dead, but in her electrifying new show at the Palace, Liza Minnelli, 62, like her mother before her, has done it again. Sparkling Read More

America’s Chekhov Still Juicy; Sondheim’s Roadshow Blows a Flat

Horton Foote’s Dividing the Estate, which has made a very welcome transfer to the Booth Theatre on Broadway, couldn’t be timelier.

Mr. Foote’s gentle, comic parable about self-interest and desperation over the fate of a family estate in the playwright’s imagined small town of Harrison, Texas, first premiered at Princeton’s McCarter Theatre in Read More

Let the Fogies Fawn Over South Pacific—Hair Revival Rocks

The Public Theater’s smashing new revival of Hair (1967) in Central Park is a joy from beginning to end. It’s just the best, though fans of South Pacific (1947) might not agree with me.

I felt about Lincoln Center’s loving revival of Rodgers & Hammerstein’s South Pacific that while the audience seemed to be Read More