


In 1976, the photographer William Eggleston was the subject of a one-man show at MoMA. The Memphis-born Eggleston wasn’t yet forty, young for a time when it was still unusual for an artist to get the retrospective treatment before middle-age. His startlingly full-color photographs–the product of a costly dye transfer process that laid Read More
When American Craft Museum curator David McFadden was casting around for a way to do justice to an exhibition of pieces by Sèvres, the national porcelain company of France, he thought of his old friend, architect Peter Marino. The two men met in the 1980′s, when Mr. McFadden was a curator at the Cooper-Hewitt National Read More