
Move Over Lear! New Crazed King in Town
It’s a pleasure to acclaim Geoffrey Rush in Eugène Ionesco’s 1962 absurdist masterpiece Exit the King. Put simply, Mr. Rush is giving one of the greatest virtuoso performances I’ve ever seen.
And, in the best of all possible ways, it’s a daringly old-fashioned performance—the kind we feel exceptionally lucky to witness nowadays. From his Read More
