The Emmys, television’s slightly-less-glitzy answer to the Oscars, are this Sunday, and we have some relatively uneducated guesses as to which of the nominees will bring home an oddly spiky statuette.
The Emmy nominations are set to be announced tomorrow, and all eyes in coffee shops and traffic-thirsty blogs will be on the fate of Girls. Let’s predict what other shows were widely regarded as good this past year!
The Emmy nominations will be announced July 19, and we’re already wondering who will end up nominated; in particular, the question of New York media darling Lena Dunham weighs upon us. Ms. Dunham, creator of HBO’s Girls, could get anywhere between zero and four nominations as creator, writer, director, and star of the show (she could Read More
In a triple-whammy of trends on Broadway over the past decade or so, Zooey Deschanel (celebrity stunt casting) is to star in Coal Miner’s Daughter (an adaptation of a movie), about the life and music of Loretta Lynn (jukebox musical). Somehow she will squeeze this in around her role on New Girl, which Read More
Mediaite has a new editor, but he isn’t the Fox Mole. The Daily wants your votes, but they already have their fathers’ blessings. T-Shirts are the new Tote-Bags, silenced commenters are the new site-running commenters, more fantastic-if-true potentially embarrassing stories about well-regarded Timesmen, “restructurings” as the hot new media euphemism, and something about Zooey Deschanel. These are your Thursday morning media items:
Z’oh my heavens, Mr. Crawley! Terms of Endearment star Shirley MacLaine will be joining the cast of Downton Abbey, which has replaced This Old House and Ken Burns documentaries as PBS’ must-see TV.
Ms. Maclaine will be playing the proud American mom to ex-pat Lady Cora (Elizabeth McGovern) on season 3. (This visit will not go over well with Dame Maggie Smith’s Lady Grantham, we’re sure.)
This news was accompanied by rumors that other stateside cameos might be in the works, so we made several educated guesses as to which American actors could hold their own against the upstairs/downstairs scheming of the McGovern household.
Last night’s Golden Globes—which we covered live!—were notable for yet more star worship than even the perpetually star-worshipping Globes usually get up to, and most of the stars were of a somewhat aging vintage. Awards went to practically anyone who might have been on People’s Most Intriguing People of 1998 list: Steven Spielberg for Read More
Welcome to New York Observer‘s Golden Globe coverage of the 2012, where you’ll be able to read (and participate!) in real time as Drew Grant and Dan D’Addario take bets on which acclaimed actor will be the first to slap that lopsided grin right off Ricky Gervais‘ face. Let the fun begin!
There was a hopeful moment early late last spring—back when Amy Winehouse was alive and Casey Anthony had not yet been tried. Even if summer had to end eventually, at least it would mean the beginning of one of the best fall seasons ever for young women on TV, a laugh-track filled rejoinder to Christopher Hitchens assertion that women weren’t funny.
As if to reward us for buying tickets to Bridesmaids, the networks were suddenly bullish on “girl”-centric comedies—ABC snagged New Girl, CBS bought 2 Broke Girls, NBC bought Whitney, named for and written by the girl who created 2 Broke Girls, and HBO green-lit Girls, which was not only on-trend title-wise, but also came with Bridesmaids producer Judd Apatow’s imprimatur.
Ever since he broke out in the 1995 Jane Austen-goes-to-the-Valley romp Clueless, earning teen idol status for the somewhat questionable act of kissing his underage onscreen step-sister, Paul Rudd has carved out a niche for himself in Hollywood as the go-to hapless everyman. Most of his roles fall into two categories: the hapless, disarming romantic lead (I Love You, Man, How Do You Know), and the hapless, hammy sidekick (Anchorman, The 40-Year-Old Virgin, Wet Hot American Summer). But in Our Idiot Brother, a warm and witty comedy from brother-sister team Jesse and Evgenia Peretz, Mr. Rudd has found a perfect role that showcases his considerable charm and comic talent without robbing him of his hap.