There was a hopeful moment early late last spring—back when Amy Winehouse was alive and Casey Anthony had not yet been tried. Even if summer had to end eventually, at least it would mean the beginning of one of the best fall seasons ever for young women on TV, a laugh-track filled rejoinder to Christopher Hitchens assertion that women weren’t funny.
As if to reward us for buying tickets to Bridesmaids, the networks were suddenly bullish on “girl”-centric comedies—ABC snagged New Girl, CBS bought 2 Broke Girls, NBC bought Whitney, named for and written by the girl who created 2 Broke Girls, and HBO green-lit Girls, which was not only on-trend title-wise, but also came with Bridesmaids producer Judd Apatow’s imprimatur.
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