Reports on the creator economy can’t even agree on basic data points, like how many creators there are and how much money they make. These major statistical discrepancies stem from the complicated definition of who counts as a creator.
A new Amnesty International report suggests Meta prioritized profit over human rights in Myanmar and calls for reparations, but does Meta have any legal responsibility to pay for the harm it has caused?
The Art Loss Register, the largest private database of stolen and lost art, has been utilized by museums and auctions alike for 30 years. However, the database also provides a tool for art traffickers to cover their tracks.