For the olds: Bill Murray, a comedian and actor you know from Saturday Night Live, Ghostbusters and Wes Anderson movies, did a Charlie Rose interview to talk about his personal life philosophy and how that leads him to do crazy pranks, as well as his role in The Monuments Men (for which he did not read the book by Robert Edsel, bout heard about it once while eating pasta, so there you go).
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I mean this whole thing is just amazing. The part where he just goes into a Russian accent to explain how he knew he was going to work with Sofia Coppola. Just classic Murray. Or how about when Rose asks what he whispered in Scarlett’s ear at the end of Lost in Translation (WE ARE ALL STILL DYING TO KNOW!) and Murray’s response to this question he’s gotten maybe a billion times is “I told someone once and they didn’t believe me.” That is such a good troll! Now everyone who has ever talked to Bill Murray will be like “Shit, wait…was it me?”
For the youngs: Bill Murray, a serious thespian from all your favorite movies like Lost in Translation, The Fantastic Mr. Fox and Broken Flowers (just kidding), did a Reddit AMA! It’s epic!
Someone asked “will there be a Garfield 3?”
I don’t think so. I had a hilarious experience with Garfield. I only read a few pages of it, and I kind of wanted to do a cartoon movie, because I had looked at the screenplay and it said “Joel Cohen” on it.
And I wasn’t thinking clearly, but it was spelled Cohen, not Coen.
I love the Coen brothers movies. I think that Joel Coen is a wonderful comedic mind.
So I didn’t really bother to finish the script, I thought “he’s great, I’ll do it.” So then it was months before i got around to actually doing it, and I remember i had to go to a screening room in somewhere, and watch the movie and start working. And because they had had trouble contacting me, they asked my friend Bobby to help corral the whole situation together. So Bobby was there, and you know when you’re looping a movie you’re rerecording to a picture?
So this was an odd movie because the live footage had been shot, but the cat was still this gray blob onscreen. So I start working with this script and I’m supposed to start re-recording and thinking “I can do a funnier line than that” so I would start changing the dialogue that was written for the cat. Which kind of works, it sort of generally works, but then you realize the cat’s over here in a corner sitting on a counter, and I’m trying to think how I can make it make sense. So the other characters are already speaking these lines, and so I’m going “did he really say THAT?” and you’re kind of in this endgame of “how do I chess piece myself out of this one?”
So I worked like that with this gray blob and these lines that were already written, trying to unpaint myself out of a corner. I think I worked 6 or 7 hours for one reel? No, 8 hours. And that was for 10 minutes. And we managed to change and affect a great deal.
The next day I came into work and the producer gave me a set of golf clubs, and I thought “that was kind of extreme, especially since I can’t go play.” And the second reel was even HARDER because the complications of the first ten minutes were triangulated. It was really hard to write my way out of that one. And there were all these people on the other side of the recording studio, and at the end of the reel I was SOAKED In perspiration. I had drunk as much coffee as any columbian ever drank, and I said “you better just show me the rest of the movie.” And they showed me the rest of the movie, and there was just this long, 2 minute silence.
And I probably cursed a little, and I said “I can fix this, but I can’t fix this today. Or this week. Who wrote this stuff?”
And it appeared that one of the people behind the screen was the misspelled Joel Cohen. And I said “how could you have THAT scene take place before this scene? This can’t possibly happen? Who edited this thing?”
And another person behind the glass was the editor of the film. He quit the film that week to go work on another job, so that began a long process of working on the film. I worked the rest of the week on it, and I said “Bobby it is still nowhere near done. But I can’t fix it all, we have to try to do this again.”
It was sort of like Fantastic Mr Fox without the joy or the fun. We did it twice in California, and once in Italy when I was working on the life Aquatic, we were working on an INSANE place in Italy, with a woman who was a voice from above interrupting everything, I cursed again, and she left to take another job, and that was just the first once.
And we managed to fix it, sort of. It was a big financial success. And I said “just promise me, you’ll never do that again.” That you’ll never shoot the footage without telling me.
And they proceeded to do it again. And the next time, they had been shooting for 5 weeks. And I cursed again. I said “I just asked for one little thing, letting me know.” and that one was EVEN HARDER. The second one was beyond rescue, there were too many crazy people involved with it. And I thought I fixed the movie, but the insane director who had formerly done some Spongebob, he would leave me and say “I gotta go, I have a meeting” and he was going to the studio where someone was telling him what it should be, countermanding what I was doing.
They made a movie after that second miscarriage, that went directly to video. So they sort of shot themselves in the foot, the kidneys, the liver and the pancreas on the second one. If you had a finer mind working on them? The girl, Jennifer Love-Hewitt, she was sweet. In the second movie they dressed her like a homeless person. You knew it wasn’t gonna go well.