‘Madawaska, Acadian Light-Heavy, Third Arrangement’ (1940) by Harley. (Collection of the Whitney Museum)
Dan Graham’s rooftop installation at the Met “presses you to confront” changes to the city’s skyline, Karen Rosenberg argues. [NYT]
“For the Whitney’s move, boxes and burly men just won’t do.” [NYT]
“How investors can thrive in a lopsided art market.” [NYT]
Savannah College of Art and Design “has overhauled a local car park to create micro-housing units for 12 students.” [The Art Newspaper]
“‘I am not a star,’ artist Oscar Murillo said as he signed autographs at the opening of his first solo gallery show in New York last week.” [Bloomberg]
Here are “11 stunning museums in China.” [CNN]
An exhibition of Ukranian art opens in the wake of the mass anti-government uprisings. [NYT]
“The key to understanding John Cage’s silent piece at MoMA.” [ARTnews]
Photos from the sixth season of the Artist’s Institute, which was dedicated to Thomas Bayrle. [Contemporary Art Daily]
Mr. Bayrle at Cologne’s Kunst-station Sankt Peter. [Contemporary Art Daily]
Gavin Brown’s Enterprise has a handsome new website. [Gavinbrown.biz]
