Sometimes the best things come in small packages: truffles, painkillers, diamond rings. And so it is with a neat, low-budget surprise called Bokeh, from—of all places—Iceland! Yes, that country has a film industry, although it, too, is minuscule, but with this film as evidence, quite capable of producing movies that are fascinating, valid, and off the beaten track.
Written and directed by: Geoffrey Orthwein and Andrew Sullivan
Starring: Maika Monroe, Matt O’Leary and Arnar Jónsson
Running time: 92 mins.
I’ve never seen anything of Iceland beyond the Reykjavik airport, but when you see this movie, opening this week in limited cinemas and on the internet, you will be forced to agree—we’ve all been missing something. This is a land of frozen green meadows, icy gorges, rustic country churches and gushing waterfalls. In Bokeh, the spectacular scenery provides a perfect pastoral backdrop for an unsettling dramatic premise. Riley and Jenai, a young American couple on vacation in Iceland wake up one morning and discover, to their horror, they are the last two living people on Earth. For the rest of this unique and imaginative film, they try to make sense of what happened—to them and to the rest of the world as they knew it. The deserted streets and sidewalks are the same powder blue as the pastel sky above them—as stark as an X-ray. From their cell phones, they try to make some calls. Nobody answers anywhere. On their laptop computer, no emails, posts or texts of any kind from anyone. They try to rationalize. If it’s a plague, where are the bodies? If it’s an alien invasion, what happened to the space ships? In the 90 minutes that follow, bewilderment and confusion morph into fear and a feeling of uneasy isolation, then a mixture of resignation and eventual despair. Boredom is not an option.
In the circumstances, the boy is the pragmatic one, accepting his fate with glee and a smorgasbord of multiple choices. The question, he asks, is not “What is happening?” but “What do we do about it?” His mojo is “Re-stock on every important item in the food and clothing stores, then establish squatters rights in the most comfortable house in town and upgrade with a bigger, better automobile. The girl is more concerned with reaching her family and hoping they won’t run out of
The initial adrenalin rush of knowing you are alone, without the stress of worldly cares, brings a feeling of unprecedented peace. The terrible part comes with the reality that peace—or the illusion of it—is like everything else: it can go just so far in the construct of life and death. As the girl gradually surrenders to despair, the film asks the most important question of all: what is the meaning of life if the past is meaningless and there is no future? Beautiful and challenging, Bokeh has a pristine look and chilling feel of its own that contributes enormously to the mood and tone of the whole film. The title (I thought you’d never ask) is a term in photography meaning the aesthetic quality of the blur in out-of-focus images captured through the lens of a camera. It’s a stretch, but that’s the only thing pretentious about Bokeh.