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Na Kim in her studio.

A woman with shoulder-length dark hair, wearing a blue patterned shirt and a denim apron, sits on a stool in an art studio surrounded by her paintings, which depict glowing orange faces with dark backgrounds, conveying a sense of quiet focus.

Closing soon at Nicola Vassell in New York is “Na Kim: Memory Palace,” an exhibition of new paintings by Kim that marks the artist’s first solo presentation with the gallery.

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