‘Hoa Tay (Flower Hands)’ Searches for Cultural Assimilation in New Orleans

Christian Đinh, In the mud, what is more beautiful than a lotus?, 2022; Porcelain and silk, 16 x 16 x 6 inches.

An installation showing a pair of white porcelain mannequin hands resting side by side on a black silk pillow with gold embroidery, displayed on a white plinth in a gallery.

Review: “Hoa Tay (Flower Hands)” at the Ogden Museum of Southern Art

‘Hoa Tay (Flower Hands)’ Searches for Cultural Assimilation in New Orleans