From Athens to the Islands, Greece’s Art Collectors Are Building an Ecosystem of Their Own

Germaine Richier, “The Pentacle,”, 1954; “The Hydra,” 1954; “The Ogre,” 1949. Bronze with dark patina. Private collection.

A group of three rough-textured dark metal figurative sculptures stands on separate blue pedestals against a plain blue wall.

From Athens to the Islands, Greece’s Art Collectors Are Building an Ecosystem of Their Own

From Athens to the Islands, Greece’s Art Collectors Are Building an Ecosystem of Their Own