

Conductor Teodor Currentzis Rocks the ‘Requiem’ in a Shattering NYC Debut

At the Juilliard School, Mozart’s ‘Così Fan Tutte’ Is More Problematic Than Ever

Philip Glass’ ‘Akhnaten’ Is a Somber Triumph for the Met

A Bougie ‘Bohème’ Returns to the Met

Star Singers Carry Uneven Revivals of ‘Orfeo ed Euridice’ and ‘Madama Butterfly’

Not Quite Gold, but ‘Turandot’ Still Glitters as the Met’s First Sunday Matinee

Melodrama Envelops ‘Manon’ and ‘Macbeth’ at the Met—Onstage and Off

‘Porgy and Bess’ Misses Its Protagonist on Opening Night at the Met

At Mostly Mozart, a Gimmicky ‘Magic Flute’ Reduces a Masterpiece to a Cartoon
