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Christopher Corwin

A longtime contributor to 'Parterre Box,' Christopher Corwin has also written about opera for the New York Times, Musical America, San Francisco Classical Voice and BAMNotes. In addition, he curates 'Trove Thursday,' a weekly feature on parterre that features live opera recordings.

Devoted Fans Must See ‘Rigoletto’ and ‘The Rake’s Progress’ Before The Met Opera’s Season Ends on June 11

Review: The Met Opera’s ‘Hamlet’ Takes Big Swings but Mostly Misses

By Christopher Corwin

Review: Modern ‘Lucia’ at the Met Opera Can Bring in a Younger Audience

By Christopher Corwin

Review: ‘Elektra’ at the Met Opera With Nina Stemme and Lise Davidsen

By Christopher Corwin

Aleksandra Kurzak Left Much to Be Desired in the Met Opera’s ‘Tosca’

By Christopher Corwin

Lise Davidsen Shines in ‘Ariadne auf Naxos’ at the Met Opera

By Christopher Corwin

Double Diva: Renée Fleming and Sonya Yoncheva Perform at Carnegie Hall and the Met

By Christopher Corwin

The Met’s ‘Rigoletto’ Brought in 2022 Against All Odds

By Christopher Corwin

‘Eurydice’ at the Met Opera Attempts to Live Up to Its Myth

By Christopher Corwin

Superstar Tenor Jonas Kaufmann Performs at Carnegie Hall

By Christopher Corwin

‘Three Divas in Concert’ Marks Likely End to ‘Met Stars Live in Concert’

By Christopher Corwin
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