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Christopher Corwin

A longtime contributor to 'Parterre Box,' Christopher Corwin has also written about opera for the New York Times, Musical America, San Francisco Classical Voice and BAMNotes. In addition, he curates 'Trove Thursday,' a weekly feature on parterre that features live opera recordings.

A woman sings on a stage while a man plays piano

Lise Davidsen and Julia Bullock Jump Start New York City’s Classical Music Season

By Christopher Corwin
A wide view of a stage where opera is being performed

Bard SummerScape 2023 Welcomed Adventurous Operagoers With Beautiful Rarities

By Christopher Corwin
A woman sings to a man on stage

Donizetti’s ‘Poliuto’ and Ricci’s ‘Crispino e la Comare’ Offered Midsummer Delights

By Christopher Corwin

The Met’s ‘Flying Dutchman’ Remains Shipwrecked Despite New Crew

By Christopher Corwin
Opera singers on a stage dominated by a large set featuring buildings stand in groups.

The Met’s New ‘Don Giovanni’ Is a Resounding Musical Success

By Christopher Corwin
Two women in Edwardian dress stand on stage near a soldier

Strauss Sopranos Soar at Carnegie Hall and the Met

By Christopher Corwin

Review: Holding Out for a Hero—Wagner’s Lohengrin Returns to the Met

By Christopher Corwin

Review: Javier Camarena Shines in the Role He Was Born to Play

By Christopher Corwin

Review: The Met’s Lively ‘Fedora’ Leads It Out of a Dismal Month

By Christopher Corwin

Review: The Met’s Aïda Is Visually Stunning but Marred by Uneven Singing

By Christopher Corwin

Why Do Opera Tenors Pinch Their Noses When They Sing?

By Christopher Corwin
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