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David Cote

David Cote

David Cote is a critic and reporter who has written for Observer, 4 Columns, and, occasionally, American Theatre. He is also a playwright and opera librettist whose work has been produced in London and around the US. In his past life as an actor, he worked with Richard Foreman, Richard Maxwell and Iranian exile auteur Assurbanipal Babilla. @davidcote

Review: Robert Icke’s Production of ‘Hamlet’ Misguidedly Embraces the Prince’s Incel-Nature

Review: ‘Epiphany’ Is a Clouded Insight With Pops of Clarity That Some Audiences Might Like

By David Cote

Review: Sarah Silverman’s ‘The Bedwetter’ More Than Deserves a Spot on Broadway

By David Cote

Review: ‘Fat Ham’ Is a Well Done Pulitzer Winning BBQ-Infused Interpretation of ‘Hamlet’

By David Cote

Review: ‘Golden Shield’ Is a Courtroom Drama That Aims For Layered Nuance, Lands on Confusing Audiences

By David Cote

Review: ‘A Case for the Existence of God’ Finds What Connects Us All and Holiness in Humanity

By David Cote

Review: Daniel Craig and Ruth Negga’s ‘Macbeth’ Is Chic but Incomprehensible

By David Cote

Review: ‘A Strange Loop’ Gracefully Explores Issues of Queer, Black Identity

By David Cote

Review: Director Lileana Blain-Cruz Brings ‘The Skin of Our Teeth’ to a Modern Audience

By David Cote

Review: Beanie Feldstein Grabs the Spotlight, Unsteadily, in ‘Funny Girl’

By David Cote

Review: Martin McDonagh’s Satirical ‘Hangmen’: Thin Thread, Bottom-Heavy

By David Cote
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