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Film Crit Hulk

Film Crit Hulk

Film Crit Hulk is the pseudonymous pen name of an essayist who has written for Vulture, Entertainment Weekly, The New Yorker, Playboy, Thrilllist and Birth Movies Death. He tends to write long-form articles about semiotics, dramatic function, and inter-sectional cinema. He's excited to be here.

Courtesy of TIFF

From ‘Paddington 2’ to ‘Roma,’ Film Crit Hulk’s Favorite Movies of Awards Season 2019

By Film Crit Hulk
To talk about cinema, you first need to understand how shots create meaning and emphasize a feeling.

The Ongoing Crisis of Cinematography

By Film Crit Hulk
The Spideys of Spider-Man: Into the Spider-Verse.

How the Creators of ‘Into the Spider-Verse’ Crafted an Inclusive Superhero Tale That’s Damn Near Perfect

By Film Crit Hulk
Bernardo Bertolucci, Nicolas Roeg and Ricky Jay.

Bernardo Bertolucci, Nicolas Roeg, Ricky Jay and the Problem With Obituaries

By Film Crit Hulk
Tom Hanks Larry Crowne

Guilty Pleasures and the Meaning of ‘Crownesgiving’

By Film Crit Hulk
Stan Lee.

Stan Lee Was the Showman of Marvel Comics, but Jack Kirby Was the Soul

By Film Crit Hulk

The Shadows of Guilt That Haunt ‘Suspiria’ Are All Too Timely

By Film Crit Hulk
Days with long hours are not anomalies in too many creative fields.

Creativity and the Dangerous Norm of the 100-Hour Workweek

By Film Crit Hulk
1999's Fight Club.

The Crippling Cultural Ignorance of ’90s Film and TV

By Film Crit Hulk
Venom Box Office Rotten Tomatoes Sequel

‘Venom,’ Its Deleted Scenes, and Understanding Dramatic Clarity

By Film Crit Hulk
Joe Pera in Adult Swim's Joe Pera Talks With You.

The Bizarre, Wholesome, Outsider Comedy of Joe Pera

By Film Crit Hulk
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