Conductor Teodor Currentzis Rocks the ‘Requiem’ in a Shattering NYC Debut
At the Juilliard School, Mozart’s ‘Così Fan Tutte’ Is More Problematic Than Ever
Philip Glass’ ‘Akhnaten’ Is a Somber Triumph for the Met
A Bougie ‘Bohème’ Returns to the Met
Star Singers Carry Uneven Revivals of ‘Orfeo ed Euridice’ and ‘Madama Butterfly’
Not Quite Gold, but ‘Turandot’ Still Glitters as the Met’s First Sunday Matinee
Melodrama Envelops ‘Manon’ and ‘Macbeth’ at the Met—Onstage and Off
‘Porgy and Bess’ Misses Its Protagonist on Opening Night at the Met
At Mostly Mozart, a Gimmicky ‘Magic Flute’ Reduces a Masterpiece to a Cartoon
