Soprano Aprile Millo Is a Case Study in Star Quality
The Met’s Double Bill of ‘Iolanta’ and ‘Bluebeard’s Castle’ Proves Opera’s Potential to Terrify
Debussy Is the Only Star on Show in the Met’s Uninspired ‘Pelléas et Mélisande’
The Met Opera’s ‘Pelléas et Mélisande’ Conjures a Disturbing Vision of the Downside of Love
Joseph Keckler’s New Musical Is an Enigmatic Highlight of NYC’s Prototype Festival
Anna Netrebko Is the Ultimate Diva in the Met’s ‘Adriana Lecouvreur’
On Site Opera’s Soup Kitchen-Set ‘Amahl and the Night Visitors’ Should Become a Christmas Tradition
The Met Turns the Tragedy of ‘Traviata’ Into Dull Disney Schmaltz
The Met’s Mediocre ‘Trittico’ Doesn’t Do Plácido Domingo (Or Puccini) Justice
