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A woman wearing black with long, dark hair parted in the middle stands near a window

Jelena Sofronijevic

Jelena Sofronijevic is a producer, curator, writer and researcher, working at the intersections of cultural history, politics and the arts. Their independent curatorial projects include Invasion Ecology (2024), SEEDLINGS: Diasporic Imaginaries (2025) and Can We Stop Killing Each Other? at the Sainsbury Centre (2025), and they produce EMPIRE LINES, a podcast which uncovers the unexpected flows of empires through art. They are also pursuing a practice-based PhD with Gray’s School of Art, curating exhibitions of Balkan and Yugoslavian/diasporic artists in British art collections. Much of their research centres on pluralising representations of Central, Eastern and Southeastern Europe (CESEE)/diaspora communities and cultures, particularly from the Balkans and Yugoslavia, and more constructive, contemporary histories of non-alignment. More widely, they seek to platform lived experiences and perspectives often marginalised or excluded from representation, especially in anti-colonial and environmental activism. Their work makes complex ideas accessible, not simple. Jelena’s full portfolio is available on their website and Instagram.

  • @empirelinespodcast
A pair of dark, organic-shaped sculptures stand in a sunlit brick courtyard framed by arched walls adorned with blue woven forms.

The First Bukhara Biennial Reveals That the Most Expensive Ingredient Is Time

By Jelena Sofronijevic
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