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Events Newsletters

Maika Pollack

Max Burchartz, Lotte (Eye). 1928. (Courtesy The Museum of Modern Art)

Timelapse of a Half Century: MoMA Unpacks a Treasure Trove of Surprising Images

Woman’s Lib (1971) by Kiki Kogelnik. (Photo by Genevieve Hanson, courtesy of David Zwirner New York/London)

A Trio of Galleries Showcase Austrian Art, From Vienna and Beyond

By Maika Pollack
Installation view of 'ZERO: Countdown to Tomorrow, 1950s–60s' (Photo: David Heald © Solomon R. Guggenheim Museum, New York)

The Mid-Century Motorized Madness of ‘ZERO: Countdown to Tomorrow’ at the Guggenheim

By Maika Pollack
Norman Lewis, Lewis Crossing (1949) (Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY)

Painting Outside the Lines: New Shows at the Jewish Museum and EFA Project Space

By Maika Pollack
Installation view from ‘SCORE!’; Curated by Amy Sillman and Cheyney Thompson. (Courtesy Chris Kendall Photo)

‘SCORE!’ at Hessel Museum of Art, Bard College

By Maika Pollack
Installation view from Amy Sillman: ‘one lump or two.’ Shade (2010), Purple/Pipesmoker (2009). (Courtesy Chris Kendall Photo)

Amy Sillman: Art Meets Intimacy at Hessel Museum of Art, Bard College

By Maika Pollack

'Charles Gaines: Gridwork (1974-1989)' at the Studio Museum

By Maika Pollack
Cutaway model Nikon EM. Shutter (2007).

‘Christopher Williams: The Production Line of Happiness’ at Museum of Modern Art

By Maika Pollack

'Living With Pop: A Reproduction of Capitalist Realism' at Artists Space

By Maika Pollack

Garry Winogrand at the Metropolitan Museum of Art and ‘The Photographic Object, 1970’ at Hauser & Wirth

By Maika Pollack
Jeff Koons, 'Aqui Bacardi,' 1986. (©Jeff Koons)

Not a Koons Person

By Maika Pollack
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