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Mary von Aue

Mary von Aue

Editorial Director

Mary is the Editorial Director at Observer. She received her MA from Columbia University and has since written and edited for several publications covering culture, tech and politics. Follow her on Twitter: @von_owie.

  • @von_owie
Heartbeat Opera’s Dragus Maximus, Anthony Braxton, and the Industry's Hopscotch.

Spring’s Best Opera Reveals an Art Form Rapidly Innovating

By Mary von Aue

Performing Arts Get Political in the 12 Best Dance and Opera Performances This Fall

By Mary von Aue

Arts Power 50: The Changemakers Shaping the Art World in 2019

By Paddy Johnson, Mary von Aue, Juliet Helmke, Sissi Cao and Helen Holmes

The Met’s ‘Ring Cycle’ Stars Explain How the ‘Machine’ Affects Their Singing

By Mary von Aue

Pretty Yende Is Opera’s New Star, But She Wants to Talk About Fear

By Mary von Aue

Kathleen Turner Explains the Difference Between Acting in Opera and on Broadway

By Mary von Aue

Who Is Don Giovanni? Cornelius Meister’s Met Debut Tackles the Debated Question

By Mary von Aue

How Sister Wendy Observed ‘Controversial’ Art Through a Progressive Lens

By Mary von Aue
John Taylor Ward as Polyphemus, in process.

Heartbeat Opera’s ‘Dragus Maximus’ Reimagines a Classic Greek Myth as a Raucous Queer Odyssey

By Mary von Aue
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