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Noah Berlatsky

Noah Berlatsky

Noah Berlatsky is a freelance writer in Chicago.

  • Noah Berlatsky
  • @nberlatsky
A left-leaning grid collage of eight book covers

10 Lesser-Known Anti-Totalitarian Novels

By Noah Berlatsky
A collage with a black and white headshot of a woman (r) and a book cover (l) both presented as if in a photosheet

Critic Megan O’Grady On Art and Feeling Alive

By Noah Berlatsky
A close-up view of several dimensional paper works in Park’s “How (Not To) Read” series shows folded, shelf-like components protruding from ink-blotted surfaces mounted on a blue-painted wall.

In Chicago, Yoonshin Park Explores the Boundaries of the Book

By Noah Berlatsky
A large spherical sculpture with green padding and glowing pink lights is encased in a teal metal frame inside a brightly lit room.

At the Chicago Architecture Biennial, Radical Times Demand Radical Change

By Noah Berlatsky
A black-and-white photo shows a man sitting casually in a chair against a bare wall, holding a cigarette with one leg crossed over the other.

‘Make Me Famous’ Reminds Us That Ed Brezinski, and All Artists, Deserve Better

By Noah Berlatsky
Barry Avrich, a white man with a receding hairline (dark brown) leans on a bar wearing a brown leather jacket in a dark room

Barry Avrich Knows Everybody Loves a Fake

By Noah Berlatsky
A black and white linocut-style print depicts a man and a skeletal woman walking side by side on a path lined with more skeletons, with a McDonald’s sign faintly visible in the background.

Migration, Marginalization and Outsider Art Collide in Intuit Art Museum’s ‘Catalyst’

By Noah Berlatsky
A colorful architectural mural with many stylized windows

Artist Edie Fake Imagines a Gender Affirming Future at Chicago’s MCA

By Noah Berlatsky
A painting of a woman wearing a hat done in deep grays and blacks

“The First Homosexuals” Is a Dazzlingly Overwhelming Chronicle of Queerness in Art

By Noah Berlatsky

The 10th Anniversary of ‘Fury Road’ and the Road We’re On

By Noah Berlatsky
A gallery space includes pedestal displays of food-inspired sculptures, framed drawings of desserts on the wall, and a large arrangement of brightly painted circular plates in a triangular formation, all set against a red-and-white checkered pattern that resembles a picnic cloth.

Can Art Heal Our Relationship With Nature? “Sustenance & Land” Offers a Nuanced Response

By Noah Berlatsky
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