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Sarah Moroz

Sarah Moroz is a freelance writer.

  • @SarahMoroz
  • Sarah Moroz
  • @sarahmsnapshot
A sculpture of a white classical-style figure with its head engulfed in a large pink and red textured mass stands in the foreground of a contemporary art fair booth while visitors talk beside abstract paintings in the background.

ARCOmadrid Balances Curatorial Quality With an Easygoing Spirit

By Sarah Moroz
The museum’s central atrium reveals exposed steel beams, staircases and multiple gallery levels filled with photographic displays.

Rotterdam’s Reopened Photography Museum Celebrates the Medium’s Material Nature

By Sarah Moroz
A female figure balances on a plank above a digitally rendered cityscape as monumental symbols loom in the distance in Lu Yang’s Doku the Flow.

In L.A., Julia Stoschek’s Art Collection Activates a Cinema Landmark

By Sarah Moroz
A wide overhead view shows the interior of Art Genève with white-walled booths arranged along dark aisles, clusters of visitors walking and sitting at tables and artworks displayed evenly across the fair floor.

Art Genève Courts Galleries With a Different Market Logic

By Sarah Moroz
A dark gallery space contains a two-channel video projection showing a domestic interior, with a single hanging lamp below casting a green circular glow onto the floor.

Thailand’s First International Contemporary Art Museum Opens, Marking a New Cultural Chapter

By Sarah Moroz
An art fair booth with white walls and a mix of paintings and sculpture

Young Fair Art Antwerp Leans Into the City’s Centuries-Old Collecting Culture

By Sarah Moroz

“Dirty Looks” at the Barbican Art Gallery Is Intentionally Messy

By Sarah Moroz

“Nigerian Modernism” Reframes the Story of Modern African Art

By Sarah Moroz
A young woman lies asleep in a high, dark wooden bed with her head turned to the side and wrapped in white linens under a blue patterned blanket, captured in a peaceful domestic interior.

Musée Marmottan Monet’s “The Empire of Sleep” Considers Slumber as an Artistic Trope

By Sarah Moroz
A painting by Wayne Thiebaud from 1961 titled Pie Rows shows more than twenty slices of pie—some topped with whipped cream, some fruit-filled—arranged in neat rows on individual white plates across a blue and white tabletop.

At the Courtauld, Wayne Thiebaud’s Poignant—if Long-Vanished—America

By Sarah Moroz
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