Mark Wahlberg’s ‘Infinite’ Tosses Garnish on Reheated ‘Matrix’ Leftovers
‘Gunda’ Uses Striking Imagery to Humanize Animals in Captivity
‘Promising Young Woman’ Doesn’t Commit to its Most Challenging Ideas
‘Zack Snyder’s Justice League’ Is Longer, But Not Much Better
India’s Rip-Roaring Oscar Entry ‘Jallikattu’ Captures the Chaos of the Soul
Chloé Zhao’s ‘Nomadland’ Paints a Poetic Portrait of Modern America
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