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Siddhant Adlakha

Siddhant Adlakha

Siddhant Adlakha is a filmmaker, television writer and film critic based in Mumbai and New York. Follow him on Twitter: @SidizenKane

  • @SiddhantAdlakha
A man looks to the left in this close-up shot

Screening at New York Film Festival: Tony Gilroy’s ‘Behemoth!’

By Siddhant Adlakha
A group of men in shirtsleeves and ties sit in a conference room with a projector in the background.

Screening at New York Film Festival: Tom McCarthy’s ‘A Statement’

By Siddhant Adlakha
Two men, one older and one younger, stand in a forest looking concerned.

Screening at the New York Film Festival: Andrew Haigh’s ‘A Long Winter’

By Siddhant Adlakha

Rodrigo Sorogoyen’s ‘The Beloved’ Stages a Father-Daughter Reckoning That Doesn’t Quite Cohere

By Siddhant Adlakha
An aging man in a newsboy cap listens as a red haired woman in a trenchcoat speaks. They're standing outdoors.

Best of TIFF: Jesse Eisenberg’s ‘The Debut’

By Siddhant Adlakha
Four people sit together on a picnic blanket in a grassy field beneath a yellow-and-white striped umbrella.

Screening at TIFF: Arie and Chuko Esiri’s ‘Clarissa’

By Siddhant Adlakha
Woman seated alone at a dining table in a dimly lit room, with breakfast dishes arranged before her.

Screening at Venice: May el-Toukhy’s ‘Woman Unknown’

By Siddhant Adlakha
Woman running through a narrow stone alley, wearing dark tactical clothing and carrying gear.

Screening at Venice: Halkawt Mustafa’s ‘No Paradise If You Are Killed By a Woman’

By Siddhant Adlakha
Close-up of a woman and man seated together, both looking tense and serious.

Screening at Venice: Nicolas Pariser’s ‘One Minute to Midnight’

By Siddhant Adlakha
Men in hardcore medical masks and carrying weapons lead a handcuffed man in a yellow shirt through a dark, misty forest

Screening at Venice: Phuttiphong Aroonpheng’s ‘The Burning Giants’

By Siddhant Adlakha
A woman wearing a dark outfit sits at a table in a dimly lit room, with a bald man in a suit in the background, captured in black and white.

In Paweł Pawlikowski’s ‘Fatherland,’ Thomas Mann’s Divided Germany Is a Study of Artistic Compromise and Family Rupture

By Siddhant Adlakha
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