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W.M. Akers

Turturro. (Getty Images)

Not So Lonely at the Top: John Turturro Scales Great Heights in the Service of Ibsen

By W.M. Akers

On the Trail of the Next Great Crime Novel: After ‘Dragon Tattoo,’ Will Readers Flock to a More Exotic Noir?

By W.M. Akers
Alenka Kraigher, Nicolas Noreña and Rocco Sisto in 'Old-Fashioned Prostitutes (A True Romance).' (Photo by Joan Marcus))

Strings Attached: Back From Retirement, Richard Foreman Brings His Ontological Hysteria, and <em>Old-Fashioned Prostitutes</em>, to the Public

By W.M. Akers

The Biggest Losers: Looking Back at Jimmy Breslin’s Mets Bible

By W.M. Akers
Ink-stained solace. (NYTimes.com)

After Newtown, the Comfort of a Broadsheet and Turner Classic Movies

By W.M. Akers

The Case of the Missing Novel: James M. Cain’s Lost Novel Finally Surfaces After 35 Years

By W.M. Akers
Alan Cox and Jonathan Pryce in 'The Caretaker.' (Courtesy Richard Termine)

Pinter’s Laugh Track: For Jonathan Pryce, ‘The Caretaker’ Is Personal

By W.M. Akers
Christina Ricci in "A Midsummer Night's Dream." (Courtesy Classic Stage Company)

Quick Bright Things: At Classic Stage Company, Bebe and Christina Take on the Bard

By W.M. Akers

Thriller on Fourth Street: Dan Bianchi’s Radiotheatre Does Poe and Lovecraft

By W.M. Akers
Lead singer of the band in 'One Man, Two Guvnors.' (Photo by Johan Persson)

One Man, Two Guvnors, Four Musicians: How a Group of American Rockers Learned to Be Convincingly British

By W.M. Akers
Matthew Broderick and Kelli O'Hara. (Photo by Joan Marcus)

The ’20s for the 21st Century

By W.M. Akers
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