‘Til the Fat Lady Sings: From Anna Netrebko to Anna Nicole Smith, Crime Dramas to Fairy Tales By James Jorden and Zachary Woolfe
With Updates, Opera Rolls the Dice: Sin City Would Have Been a Fine Setting for <em>Rigoletto</em>, if Rigoletto Had Showed Up By Zachary Woolfe
Directionless: Shaggy, Good-Natured and Beloved by Millions, One Direction Just Can’t Dance By Zachary Woolfe
Alden Drops the <em>Ballo</em>: His Milquetoast Take on Verdi’s Classic Fizzles at the Met By Zachary Woolfe
Mise en Abyme: Robert Lepage’s Concept-Production of Thomas Adès’s <em>Tempest</em> at the Met Disappoints By Zachary Woolfe
High Drama at Season’s End: Peter Gelb Bludgeoned His Critics, and Fabio Luisi Had a Too-Light Touch By Zachary Woolfe
School for Lovers: Christopher Alden Delivers Another Gift at City Opera With Mozart’s Cosi Fan Tutte By Zachary Woolfe
A Lot of Trouble for Trouble in Tahiti, and It Was Worth It: The Orpheus Chamber Orchestra Works Wonders With Bernstein’s Opera By Zachary Woolfe
Wooster Group, in the Raw: For a Production of Early O’Neill, Gone Are the Usual New Media and Fancy Effects By Zachary Woolfe
