MOVIE REVIEW

Jan 13

‘A Man Called Otto’ Review: A Plodding, Predictable Waste of Tom Hanks

By Rex Reed

Jan 11

‘Saint Omer’ Review: A Gripping Courtroom Drama About Motherhood, Race And Gender

By Emily Zemler

Jan 9

‘The Old Way’ Review: Nicolas Cage Goes West

By Rex Reed

Jan 6

‘M3GAN’ Review: A Sharply Funny Horror Comedy About A Robot Doll On A Killing Spree

By Dylan Roth

Dec 22

‘Glass Onion’ Review: It’s Okay If A Movie Is Simply Fun, And This One Is

By Emily Zemler

Dec 21

‘Women Talking’ Review: A Remarkable and Deeply Compelling Film

By Emily Zemler

Dec 16

‘Avatar: The Way of Water’ Review: An Exhausting Marathon Of Predictable Vignettes

By Dylan Roth

Dec 15

Best Movies 2022: 15 Films Defined By Reflection, Regret, Friendship, and Optimism

By Oliver Jones

Sep 21

‘Catherine Called Birdy’: Lena Dunham’s Delightful, Funny, Feminist and Family Friendly Film

By Emily Zemler

Sep 16

‘Blonde’ Recreates Marilyn Monroe To Ask Questions It Can’t Answer

By Emily Zemler

Sep 16

‘Moonage Daydream’ Is An Otherworldly Journey Into the Life and Art of David Bowie

By Oliver Jones

Sep 16

You Haven’t Seen a Movie Like ‘The Woman King’ Before, and That’s F’ing Cool

By Dylan Roth

Sep 14

‘Riotsville, USA’ Uncovers the Sixties Roots of the Militarization of the Police

By Oliver Jones

Aug 22

‘Beast’ Elevates Its Horror and Dumb Thrills With a Sense of Loss (And Idris Elba)

By Oliver Jones

Aug 19

‘Beast’ Is a Waste of Time and Idris Elba

By Rex Reed

Aug 12

In a Thriller About the Dark Side of Capitalism, Aubrey Plaza Shines as ‘Emily the Criminal’

By Rex Reed

Aug 12

New HBO Documentary Presents Princess Diana Through a Lens, Entirely

By Emily Zemler

Aug 11

In ‘Rogue Agent’ A Con Man’s Real-Life Spy Games Make For Taut Viewing

By Emily Zemler

Aug 4

‘Bullet Train’ Might Be the Worst Movie Ever Made

By Rex Reed

Aug 3

‘Bullet Train’: Bombastic, Bloody, And Laden With Shallow Irony

By Oliver Jones

Aug 2

‘Bodies, Bodies, Bodies’ Is Agatha Christie By Way of TikTok

By Emily Zemler

MOVIE REVIEW

MOVIE REVIEW

‘One Fine Morning’ Review: An Extraordinary Movie That Shakes You Quietly

‘Plane’ Review: A First-Rate Action Thriller

‘Dog Gone’ Review: A Tearjerker With Mature Intentions

‘A Man Called Otto’ Review: A Plodding, Predictable Waste of Tom Hanks

‘Saint Omer’ Review: A Gripping Courtroom Drama About Motherhood, Race And Gender

‘The Old Way’ Review: Nicolas Cage Goes West

‘M3GAN’ Review: A Sharply Funny Horror Comedy About A Robot Doll On A Killing Spree

‘Glass Onion’ Review: It’s Okay If A Movie Is Simply Fun, And This One Is

‘Women Talking’ Review: A Remarkable and Deeply Compelling Film

‘Avatar: The Way of Water’ Review: An Exhausting Marathon Of Predictable Vignettes

Best Movies 2022: 15 Films Defined By Reflection, Regret, Friendship, and Optimism

‘Catherine Called Birdy’: Lena Dunham’s Delightful, Funny, Feminist and Family Friendly Film

‘Blonde’ Recreates Marilyn Monroe To Ask Questions It Can’t Answer

‘Moonage Daydream’ Is An Otherworldly Journey Into the Life and Art of David Bowie

You Haven’t Seen a Movie Like ‘The Woman King’ Before, and That’s F’ing Cool

‘Riotsville, USA’ Uncovers the Sixties Roots of the Militarization of the Police

‘Beast’ Elevates Its Horror and Dumb Thrills With a Sense of Loss (And Idris Elba)

‘Beast’ Is a Waste of Time and Idris Elba

In a Thriller About the Dark Side of Capitalism, Aubrey Plaza Shines as ‘Emily the Criminal’

New HBO Documentary Presents Princess Diana Through a Lens, Entirely

In ‘Rogue Agent’ A Con Man’s Real-Life Spy Games Make For Taut Viewing

‘Bullet Train’ Might Be the Worst Movie Ever Made

‘Bullet Train’: Bombastic, Bloody, And Laden With Shallow Irony

‘Bodies, Bodies, Bodies’ Is Agatha Christie By Way of TikTok

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